Finland says farewell to the Markka

"The Euro: what 'value' a currency?"

Before leaving Scotland a friend handed over some old Finnish markka,
challenging me to see if I could “still use them.”

In truth the Finnish markka ceased to be legal tender in 2002. Finland adopted the euro when entering the Eurozone in 1999, and is still the only Scandinavian country to have embraced the single currency.

My only option, then, is to get them changed.  On a day when the euro crisis has deepened, and Nokia Siemens Networks has been forced to announce cutting a quarter of its workforce,  I show the 240 Finnish markaas, including two big green notes depicting the composer Sibelius to Jenni, the teller at Forex Bank.  She looks surprised to see them. “You want to get rid of them,” she advises, adding that from next year nowhere will take them, even the Finnish National Bank.  “Are the Finns sad about that?” I ask.  “No” she says instantly.

“With everything that’s been going on in the Eurozone, do Finnish people want their old currency back?” I ask, adding, “are you fed up of the euro?” Jenni’s smile falters.  She looks at me as if I am stupid.  “No, why?” she asks.

Her reaction will be a disappointment to Timo Soini, the outspoken leader of the far-right party True Finns, who made surprising gains in last year’s election.  Soini is an outspoken critic of the EU, and has since voiced his desire to run for the presidency.  He takes credit as attempts to derail the bailouts of Portugal and Greece.

Every Finn I speak to seems embarrassed by the True Finns.  “Finland is a Social Democratic country, like the rest of Scandinavia,” Taisto Oksanen, 47, a well-known Finnish actor tells me. “But in the last ten years we’ve seen that erode.  We didn’t have too much of a class divide before, but since the Euro some people have got very rich, and a few hundred thousand people have just dropped into poverty. Our education and social welfare has been damaged.   The old parties were seen as corrupt and in with business, so I think people voted for the True Finns for change.  But it’s happening all over Europe – people are voting for those that blame the immigrants.  Look at Spain.  It is history repeating.”

“True Finns are very conservative, want the Finnish markka back and to kind of isolate Finland from the rest of Europe.  I don’t know how the support packages will actually help the citizens and I think that the banks should also take some responsibility for all of this.” says International Business student Milka Tanskanen, 21. “ I was ten years old when we started to use Euro in Finland, so I don’t actually have any real experience of the Finnish mark.”

“The old notes were nice,” Oksanen tells me.  “The euro, the note, doesn’t mean anything to me.  It has less ‘value’.”

 

Edinburgh Napier’s Christmas gift guide

Vintage box sets £10 each

The Christmas season is upon us and the inevitable Christmas shop is sure to bamboozle even the most organised shopper. Enter Napier News‘ essential Christmas gift guide: a selection of unique gift ideas all available locally with personal recommendations and top tips from those in the know.

For the health conscious…

Head to Napiers herbalists on Bristo Place where you will find pampering treats with their excellent range of his and her skin care products. Made using only the finest natural ingredients, we’re recommending the facial box sets that include a facial wash, toner and moisturising cream, guaranteed to give you that winter glow. Coming in at £45 each, these beautifully packaged sets are sure to be a hit on Christmas morning.

Also available are Napier’s vintage gift sets based on traditional remedies that include a hot toddy and ginger cordial mix perfect for warming up even the coldest winter evening.  After the decadence of the festive season, refresh and replenish with the Weekend Off detox box, a herbel supplement that helps to balance the body and keep you healthy.

10% student discount available. |  Find out more at: http://www.napiers.net/

Pocket hot water bottles only £5 each!

For the perfect stocking filler…

Available at Halibut and Herring, keep your hands cosy on those long winter walks with a range of pocket hot water bottles in a wide range of designs. At only £5 each, these wooly winter warmers are a steal!

Or how about a handmade selection of Christmas charms from Rosie Brown? From snowflakes to Christmas puddings, these individually crafted charms are perfect for updating bracelets and necklaces. An engraving service is also available to add the personal touch. Give that special someone the perfect Christmas gift with a love letter charm. These delicate silver discs can be engraved with a personal message as the ultimate token of love.

Pop in store:  Both Rosie Brown and Halibut and Herring are located on Bruntsfield Place  |    15% off available at Rosie Brown’s Christmas evening with mulled wine and mine pies on 30th November. 6-9pm. |  Find out more at: http://www.halibutandherring.co.uk/ and http://rosiebrownjewellery.com/

Pig out with this festive feast at £10.99

For the chocolate lover…

The Harvest Garden is a chocaholic’s haven of indulgent and original edible treats. Play a game of chocolate draughts after Christmas dinner or for an alternative take out, feast upon gourmet chocolate pizza made from Belgian milk chocolate, creamy vanilla fudge pieces, chunky pieces of chocolate brownie biscuit and topped with white chocolate curls.

Pop in store: 58- 60 Morningside Road |  Find out more at: theharvestgarden.co.uk |

Average is sexy

Many people have always believed that guys have to be not only handsome and smart but also tall to be successful in reproduction.

Average is the new Sexy

However, a new study from the Netherlands shows that it is not the tallest men that have the most children, but rather men who have an average height of about 177 cm (5 feet 9).

Gert Stulp and his team from the University of Groningen examined data from highschool-graduates from Wisconsin in the US. All people in the study had finished their ‘reproductive career’ and had graduated from school in the 1950s. They found that “average height men attained the highest reproductive success as measured by the number of children ever born”.

“Sounds right.”, says David, a 23-year old worker who wishes not to give his full name. “It’s probably due to natural selection. Women probably choose the guys on a subconscious level and like average height more.”

“Average is beautiful. I mean, most people like average faces because they have a bit of everything  and everyone in them and why should it be different for height?”, says Chris P.  a Phd student in biomedical sciences.

But it’s not just a black and white story. Tall and short men shouldn’t worry about their lack of future children just because those of average height seem to be the most reproductively successful. Education and money also influence the number of children men have and at what age they have them, say Stulp and his collegues. The more educated men are, the later they marry and have children and the fewer children they are likely to have. But the greater the income, the earlier they tend to marry and reproduce.

“Taking education into account makes it slightly more believable. I mean, I’m 28 and I’m neither married nor do I have kids and I think I’m average height. But I’m in full education and obviously don’t have an income.  That’s perhaps why.”, says Tom B. an engineering student.

But inevitably, who knows what makes women and men tick. So, don’t worry too much about finding someone to reproduce with: there’s a suitable partner out there for everyone.

Freddie certainly gave us Somebody to Love

A scene from the musical 'We Will Rock You'

Hit West End show, We Will Rock You, comes to Edinburgh
to commemorate the 20th anniversary of Freddie Mercury’s death.

The Queen frontman died an untimely death 20 years ago today. His death came one day after publicly announcing that he had Aids and asking fans to join him in his fight against the deadly virus. His anniversary coincides with the opening of ‘We Will Rock You’ at the Edinburgh Playhouse on Monday, November 29, 2011. The sell-out production will rock Edinburgh for six weeks. The performance is directed by Ben Elton with Brian May and Roger Taylor supervising music. On the opening of the production, Brian May said: “People will definitely come out of the theatre feeling that in a strange way they now know us, Queen, our struggle and our journey.”

Based on a fantastical story, Ben Elton explained: “We take the legend of Queen and create our own fantastical story of young kids battling the mighty corporations who want to suppress their individuality and their love of music. They need a hero who can help them in their struggle, and we have two – the dreamer Galileo and the sassy rock chick Scaramouche. Guess who ends up winning?”

One of Mercury’s most famous quotes, “I’m not going to be a rock star, I’m going to be a legend” certainly rings true today.  His music with Queen is still considered to be some of the greatest ever made, earning him his coveted legend status. His flamboyant routines and outrageous costumes entertained fans for decades. Mercury undoubtedly proved his dedication to his fans when he continued to entertain them, worldwide, while battling his illness. Belting out well known hits such as Bohemian Rhapsody, Another one Bites the Dust and Don’t stop me now, he carved his name into the heart of the music industry.

To celebrate the opening, a Gala event will be held on December 1, 2011 in the Edinburgh Playhouse. Held to raise funds for the Mercury Phoenix Trust, it will feature a special appearance from Queen legend Brain May. The Trust was founded in 1992 by Brian May and Roger Taylor, together with Queen manager Jim Beach. Since the establishment of the trust, it has raised over $15 million to contribute more than 750 grants to Aids charities worldwide.

December 1, will also mark World Aids day. It helps people living with the disease and commemorates those whose lives it took.  Brain May said: “I am really excited to be taking part in the show in Edinburgh, it’s always so much fun and a fantastic atmosphere and to know we are raising money for the Mercury Phoenix Trust is the icing on the cake.”

Tickets are still available for ‘We Will Rock You’ playing in Edinburgh Playhouse. For more information visit http://www.edinburghplayhouse.org.uk/prod-productions_details.asp?pid=2396&VenueID=93

Stirling Castle inspires new exhibition

Exterior view of Stirling Castle © Crown Copyright reproduced courtesy of Historic Scotland


Scottish artist, Iona Leishman, is preparing to launch an exhibition
based around Stirling Castle’s turbulent history.

The exhibition, entitled Sense of Place, will open on December 2 and celebrates works inspired by the site’s tempestuous history and outstanding built heritage. The colourful mix of real and imagined subject material stretches to around 80 canvases, many created with light to the dramatic physical outlines and sheer power of the castle’s crag-top location.

Many Scottish kings and queens have been crowned at Stirling, including Mary Queen of Scots in 1543. There have been at least eight sieges of the castle including several during the Scottish Wars of Independence.

Leishman, originally from Perth, has used her broad spectrum of styles to appeal to a wide range of tastes and ages. Her portfolio conjures historical moments inspired by the Royal Court at Stirling, where the intrigues of kings and queens ultimately forged the political legacy of modern Scotland.

“As well as the celebration of the built heritage and history,” she explained, “I’ve created a third category, crossing point, which forms a bridge between the castle and imagination. I’ve painted at different times of the day to capture the contrasts as the light moves around the castle. But when I’m painting figures, I’m trying to bring something out from inside, using impressions I’ve gained of the castle and what I know of its history”.

The potential of this rich source material has allowed Leishman to develop a huge body of work that has attracted interest from thousands of castle visitors. The residency has proved so successful that Historic Scotland, the organisation supporting the exhibition, is now preparing to expand the programme to include other sites.

“This has been an exceptionally productive project, well received not only by visitors and education groups but also by our staff,” said Historic Scotland’s Head of Learning Services, Sue Mitchell.

“Interest, both internally and externally, in what Iona has achieved, has stimulated an expansion of the artist in residence scheme, and work is now underway to create new programmes at Huntingtower Castle near Perth and Jedburgh Abbey in the Scottish Borders.”

The show is free to all visitors at Stirling Castle, and can be found in the Exhibition Room within the Nether Bailey complex. All paintings are for sale and an exhibition catalogue is also available.

The Quest for Robert Louis Stevenson

A celebration of the life and work of Robert Louis Stevenson kicked off in Edinburgh today.

A literary trail of quotes were written on the ground in various locations connected to the Edinburgh born novelist for admirers of his work to follow. Copies of two of his most iconic books, ‘Kidnapped’ and ‘Jekyll and Hyde’ were also laid out for any lucky passer by to take home. The festival continues tonight at the City Arts Centre where actor Nigel Planner and writer Ian Rankin will pay tribute to one of Edinburgh’s treasured writers.

My quest for Robert Louis Stevenson began on a driech day at the top of Edinburgh's Royal Mile.

Down the Royal Mile to the Heart of Midlothian and I came upon my first Stevenson quotes. No books yet, my journey continues.

Jackpot! Outside the Story Telling Centre was my second quote and my first free (but rather soggy) copy of Kidnapped..

Winding my way down to Edinburgh's Historic Grass Market my quest ended when I came upon some more wise words from Stevenson and more books!

Merchiston students set up shop

Students gather around stalls in Merchiston foyer trying to sell their products to others.

Merchiston campus has been transformed into a retail haven by 3rd year graphic design students this week.

The class project called for students to create a group of original market stalls that were cost effective to run and turned over a profit.

The overarching theme of the project is ‘a market environment’ where students aim to develop a better understanding of what products consumers are most interested in. The individual stalls reflect rooms in student residences, with designs including a sweets room, a ‘lads pad’ and a printed media stall.

The budding entrepreneurs received no money from the university to fund their project and instead relied on the generosity of their fellow students to provide their wares for sale.

The range of gifts available include bags, coasters, sweets and ceramics as well as work and illustrations from students of Glasgow and Edinburgh schools of art.

The stalls will be up and running until closing time today to provide inspiration and temptation for any early Christmas shoppers in the Morningside area.


How a boy I didn’t know helped me choose to become an organ donor

The sticker on the back of Sarah's license lets people know her status as an organ donor.

Sarah Turnbull reflects on her decision to become an organ donor:

“I joined the organ donor register a few years ago but I understand how people can have doubts.

At first I didn’t like the idea. I feared the doctors wouldn’t try as hard if they knew I was part of the organ register; a fear I no longer have after assurances that the doctors wouldn’t ever give up on a patient if they were struggling for their life.

My next concern was my heart. I didn’t like the idea of somebody else having it. They could have anything else, just not my heart.

I know I won’t need it after I’m dead but there was something about the idea of being buried in the ground without a heart that I didn’t like.

But then I read a news story about a seriously ill ten-year-old boy signing up for the donor register. He had a fatal illness and there was no cure. A couple of days later he died and his organs and skin were donated. That one little boy saved 30 people.

That story changed my views. I no longer have any problems with signing the organ donor register. Now I know after I die someone else could be given a new life.”

The New Riverside Museum

BY BURCIN MERTCAN

courtesy of http://construction-manager.co.uk/news/

Glasgow’s Riverside Museum is the UK’s newest and most exciting visitor attraction, home to the transport, engineering and shipbuilding legacy that made Glasgow great.

The Riverside Museum is an architectural masterpiece, designed by British-Iraqi, Zaha Hadid.  Her company was picked from 140 submissions to build the £74 million Riverside Museum. The 74 million museum is Hadid’s first major public commission to open in Glasgow and 18 months later there will be another great master work will be opening – the new aquatics centre for the 2012 Olympics.

Visitors will be struck by the stunning displays, packed with fascinating exhibits, high-tech and hands-on interactions and inspiring moving stories. You’ll be able to walk down the re-created 1900s street, drive a locomotive and tackle a tenement fire, with more than 3,000 objects on display, there is something for everyone of all ages.

Outside, The Tall Ship Glenlee is moored in front of the museum creating a dramatic and iconic international destination. The Glenlee is one of only five Clyde-built sailing vessels afloat in the world today and the only one in the UK.

Councillor Gordon Matherson, the leader of Glasgow City Council, said “Glasgow’s history as an industrial giant, a global leader in engineering and shipbuilding, is celebrated is am architectural masterpiece which shows that we remain at the cutting edge of design and technology.”

Zaha Hadid said “The history of Glasgow is profoundly interlinked with the history of the Clyde, and together they have informed the museum’s design. I wanted the building to reflect the importance of its location and allow for the innovative and inspirational display of its outstanding collection. The fluid design continues Glasgow’s rich engineering traditions; a true demonstration and celebration of the skills and passion of local engineers and contractors who helped to bring this building to life.”

The museum will open its doors to the public on 21st June 2011. Entry to Riverside Museum is free!

Homophobia in schools: the last taboo

“I’ve been stabbed because of my sexuality.”

This pupil is one of thousands of victims of homophobic bullying in schools across the UK. Almost two thirds of young people, in the gay community, experience bullying in secondary schools. The charitable organisation Stonewall, which lends support to the gay community, found that homophobic bullying, after taunting because of weight, is the most frequent form of abuse in secondary schools. It is three times more prevalent than bullying due to religion or ethnicity. Unfortunately, a culture of homophobia exists in many school environments and this creates problems for young people trying to come to terms with their sexuality.

Previous poster campaign by Stonewall. Image courtesy of Stonewall.org.uk

[Read more...]

UpDate: A Gran Turismo Romance

Gran Turismo 5 was one of the most eagerly anticipated games of the 21st Century. On its release, however, it did not meet gamers’ expectations. Since then it has improved, slowly working its way into the hearts of gamers and turning into a rather good game after all.

But why when it was released was it so bad, and how has it turned itself around? Why is it now judged to be a game worth buying as opposed to other games such as Killzone 2?

The answer lies in system updates. This feature was added to the PS3 to enhance games, and this is one of the reasons gamers paid so much for the console. The enhancement meant games could be updated and new copies did not have to be bought every year to gain the latest gaming experience. [Read more...]

Redundant man, redundant marriage?

By Lisa Toner

“A savage recession, like a war, shakes the traditional identity of men and women.”

Nick Clegg’s 2009 statement could not be closer to the bone for Karen Davidson, a 50 year old part-time admin worker, wife and mother from Midlothian. Her husband David, also 50, was made redundant from his job as a plant operator and has been unemployed for two years. [Read more...]

Matthew P: Interview

by Sam Eastop

Suffolk-based singer-songwriter Matthew P brings a fresh, exciting light to the acoustic/folk genre. A haunting vocal brought to life by rich, soulful lyrics and accompanied by summery, uplifting guitar lines, Matthew is a musician that has to be heard to be truly appreciated.
His new EP, ‘The Breakfast EP’ will be out soon and will feature, ‘The Breakfast Song’ which is currently available as a free download on Matthew’s facebook and website, (link below.)
In an interview, Matthew P shares how he generates his music, his influences and his plans for the future.

How do you begin writing a song, lyrics or melody first? Or does it vary?

I start writing a song before I pick up a guitar or do any singing. It starts with an experience and then I go on to reflect on that using lyrics and melody. When i actually sit down to write I start with a clear idea of what I want to write about and then I put that to one side and start on the music. Once I am in a good place with the music I come back and start to weave words into the song. All I do after that is hope something good happens if it doesn’t then i put down the guitar and go and do some living.

Where do you tend to draw inspiration from the most?

Mostly from personal experience and the people who are closest to me.

What is your favourite song to perform and why?

My favourite live tune to play varies but one that I always enjoy without fail is Patti. I always try to get the crowd involved on that one. Its a song about a Portuguese girl I worked in a bar with. She was older than me and she used to get me drunk and make me dance. She was an amazing dancer.

Where do you think your musical style has originated from?

My style comes from many different influences such as Elliot Smith, Billy Bragg, The Beatles, The Rolling Stones. I grew up listening to all sorts of great music that has had a definite influence on me but I like to think that it has an honesty and a sound that comes from reflecting my simple observations of life around me.

Any particularly exciting plans for the near future? Is a big nationwide tour on the cards?

I have an E.P. coming out really soon and there is a free download that E.P. on my Facebook page called ‘The Breakfast Song‘. We shot a low-fi video for it in Asda Lowestoft when we were hung-over one Saturday morning. Was a lot of fun. I am playing lots of small dates at the mo around the country. I am really up for gigging at the mo so if anyone has any good nights they are organising get in touch via www.facebook.com/matthewpmusic

Lastly, if you had a ‘play list’ of five songs you are listening to a lot at the moment, what would the five be?

The five songs I am listening to at the moment are
Rinse Me Down – Bombay Bicycle Club
Angeles – Elliot Smith
One Day Like This – Elbow
California – Joni Mitchell
The New Pollution – Beck

Matthew P’s official website: http://matthewpmusic.com/
Matthew’s single ‘Gilly’ on YouTube http://www.youtube.com/watch?v=eQze-wjcGVA

The Bang: Rory Speed Interview

by Sam Eastop

The Bang are a Scottish band that are certainly making quite a name for themselves. Playing gigs around the country, receiving air time for their songs on the radio, and notably winning the Dundee Battle of the Bands last year.
Since then, The Bang have been recording and spreading the word about their new and exciting sound to the population…and bucket-loads of praise and support seems to follow in their wake.
With top-notch songs and an excellent live performance quality, The Bang are definitely an up-and-coming band to keep an eye on.
To find out a bit more and discover what’s new with The Bang, I caught up with the band’s lead singer, Rory Speed:

Tell us a bit about how the band formed and where did the name come from?

Rory: Well the band formed a few years ago. The guitarist Stewart Black and our drummer Jamie Dunleavey formed as a younger school band which eventually fell through. Just in the past year, Stewart took a few months off to write some new material and they both started looking for a vocalist and a bassist. That’s when they came across me, and I quite rightly said, ‘yeah, I’ll take on the job!’
We were just going to be a two-piece to begin with- just guitar and drums to be a bit different, however it sounded a bit empty so we started looking for a bassist. It was at this point we took on Stewart’s brother Cameron as an additional member and it worked out really well.

‘The Bang’ came around when Stewart was looking on the back of an Arctic Monkeys t-shirt, and one of the songs was ‘Bang Bang.’ So he thought it sounded like a good name for a band, but it was already taken and so we decided to change it to ‘The Bang.’

What would you say your main musical influences are and do you fit into any genres?

Rory: We all come from different backgrounds and what we all listen to is different. A really wide variety of bands and genres such as Death Cab For Cutie who are an alternative rock band to Foo Fighters, Biffy Clyro, Led Zeppelin and The Who which all range from 40 years ago to modern day music.
I think this is great as it allows us to explore different genres but I’d say we do fit into the ‘alternative rock’ genre. We’re trying to introduce a few pop hooks [in our music] too.

What has been your favourite gig so far? Any particularly memorable ones?

Rory: I’ve had a few favourite gigs. The band ‘Make Sparks’ a signed Scottish band that played T in the Park, were a great band to play with. That was a Halloween gig so everyone was dressed up for a laugh and it turned out to be an absolutely amazing place to play, with about 200 people there. It was a good high for us.
The most memorable gig was definitely the Battle of the Bands final in Dundee. 340 people turned out to watch us play and we came out on top in the end and won a recording deal. This was really good and it’s helped us a lot with experience, seeing as we are younger than a lot of bands at the moment.

What’s your favourite song to perform and why?

Rory: It’s got to be ‘Qwerty.’ As I joined the band, I got a snippet of the instrumental and thought it was absolutely fantastic. So to put vocals over that track and play it live to a crowd is brilliant. It’s on our demo and it’s definitely a crowd pleaser, it’s so jumpy and upbeat that it seems to go down an absolute storm! It’s good fun.

Any exciting projects in the near future?

Rory: We’ve got a few coming up, we’re quite busy. Just over the next few months we’re playing with bands like Sucioperro and Page 44, really big up-and-coming bands at the moment with a lot written about them in Q magazine and Kerrang. We’re playing with Sucioperro on the 6th of April and Page 44 in Dundee on the 11th of May. So once we get some money in, it’s going to be all about recording after that and hopefully by June we’ll have a fully-fledged EP which will probably be on iTunes. Hopefully if all goes to plan, that’s us sorted.

Where do you hope to be in a few years time?

Rory: That’s a difficult question. Hopefully we’ll have built up a substantial fan base. We’re quite new, we’ve only been going for about eight months so it’s hard to say where we’ll be. But things have looked promising from the start so hopefully in the next few years we’ll be playing up and down the country to big crowds in England and Wales too. The best we can hope for is to possibly be signed and take on bigger challenges like T in the Park and things like that. We’ve had a few reviews, one of them stating that we were one of the best new live acts at the moment and that we’ll definitely be ‘on the scene’ sooner rather than later, which is really promising and exciting.

How can fans get access to your music?

Rory: Just now, through Facebook. If you type in ‘The Bang’ on Facebook we should be the top search. Our Myspace is www.myspace.com/thebanguk. That’s got all the details of gigs etcetera.
In the next few months, before we get out EP out, we’re getting a web page set up too. There’ll be a lot of information in the next few months coming up about gigs and different leases so keep in touch.
Peace!

Sam Eastop

A little radio on a high

by Trystan Davies

Source: BBC

Gordon Brown at the turn of the century highlighted a new idea.  That idea was “community radio” which has become, according to Ofcom the broadcasting regulator, “one of the great UK broadcasting success stories in the last few years”. The journey has not been easy and certainly isn’t over but despite recession, stiff competition and “Broken Britain” volunteers from all over the UK still want a sense of belonging and new ways to communicate.

 

One such community can be found in Edinburgh, the capital city of Scotland.  Its port area, called Leith, has always straggled between boom and bust both economically and culturally.  In the 16th century the royal burgh was the launching pad for Scottish Kings to set sail for war and Mary Queen of Scots started her grandiose arrival here.  The industrial revolution saw Leith as a major ship building port but the depression of the late 20th century witnessed a decline the burgh is still recovering from.  This depression became world famous in the iconic Danny Boyle film Trainspotting.  Despite all this attention Leith still remains the poor relative of its neighbour Edinburgh but its strong community spirit has looked hard for ways to improve life.  One foundation has been the annual Leith Festival, an arts celebration the origins of which go back to the beginning of the 20th century.  The festival, whose fortunes have matched the economic decline of the area, had to find something new and innovative to meet the 21st century.

 

Leith goes radio ga ga

 

Local radio in Leith was the brainchild of a man called Charles Fletcher; a former correspondent with Sky News and the BBC World Service.  Having set up a local short term broadcast with the nearby South Queensferry community, Fletcher introduced a Restricted Service Licence (RSL) in 2002 to the Leith Festival but according the Mary Moriarty, one of the committee members, it was not an easy idea;

“Charles came to us and asked if Leith Festival would like to do a week of radio broadcasts. He would approach local businesses and the whole thing would cost five thousand pounds.    Of course the Leith Festival Committee was quite aghast at that amount!  We didn’t really have that kind of money”

During 2003 Fletcher and the Festival Committee worked hard to raise the money but failed to achieve their objective.  Charles Fletcher stood down but one DJ, Tony Leech, was inspired by his adventures as a youth with a home-made CB (Citizen’s Band) radio, decided not to give up.  Luck was on their side, the money was found and the team grew.  Following a successful Leith Festival and a full week of broadcasting the RSL was repeated a year later for two full weeks.  Further success prompted the creation of Leith Community Mediaworks (LCM) to deliver community radio and TV to the people of Leith.  The venture was risky but fortunately, as Mary explains, the spirit and skills of the volunteers overcame those hurdles;

“Most the people who were involved were local, they really seemed to know their stuff about radio and the presenters were excellent.    Downstairs in the Leith Dockers Club there were lots and lots of lovely young people coming in, talking and playing their music.   There was a real buzz and it was so exciting”

People do criticise New Labour but they got one thing right in 2004 and that was community radio.  The idea, in media terms, is an old one and was hinted at in the Broadcasting Act 1990.  This Act was used and adjusted to allow Ofcom to make an announcement on the 1st of September 2004 welcoming applications for Community Radio Licences on FM (Very High Frequency) or AM (Medium Wave).

 

In autumn 2004 LCM decided to apply for the Leith licence but Ofcom were overwhelmed by applications so it took till February 2006 for the licence to be granted.  Leith FM was officially launched in March 2007on waveband 98.8FM and on Monday May 7th. 2007 the first full live broadcast spread across the city.    Others in Scotland had the same idea; Awaz FM, an ethnic minority station in Glasgow, progressed from being a very successful pilot scheme for the Radio Authority, and Revival FM based in Cumbernauld, North Lanarkshire serving Christian listeners was the first start-up from scratch.

Since 2004 community radio has blossomed and there are over 180 licences across the UK.  Leith FM has grown too with 150 members and 60 regular presenters.  The station hits well above its weight to meet Ofcom’s community criteria with shows in French, Polish plus specialist shows in North African and Asian music. Getting serious, local radio is recognised by the government as a source of local news and current affairs and since Christmas 2009 Leith FM has built up a news-team, giving local and worldwide news bulletins four times a week.  Politics from the nearby Parliament can be heard on Noise Up! – a programme which covers, for example, the First Ministers Question Time on a Thursday afternoon and then an interview with a local politician.  Local MP Mark Lazarowicz has been a regular guest on the show;

“It has been a good initiative for Leith.  It has a real connection with the community.  People do pick things up from the programme – people on the street and not just a few which is good.  I’ve been on air for political and current affairs based issues and you always get a pretty rigorous cross-examination.  It’s a very good radio station.”

Community radio also broadcasts the stalwarts of community information such as government advice on “How to keep warm this winter” repeated on the hour every hour during the recent heavy cold snap.  Charities have also benefited from Leith FM with the local Bethany group, which deals with homelessness, allowing those struggling with life the opportunity to take part in music shows and further their contribution to society.

 

Radio can be a great focus for the disabled.  The medium is all about sound and touch so many blind and partially sighted people use it as a way of accessing and performing to a wide audience. One presenter, Alan Dudley, performs Leith Talk on a Thursday afternoon using a volunteer assistant and a brail-based keyboard.  I have had the pleasure of assisting Alan “Cuddly” Dudley and his guide dog Demy on a number of occasions and it’s impressive how accommodating radio can be.

Keeping with the tradition of being a port Leithers have emigrated across the world and in this Diaspora Leith FM has found a new audience.  With evolving new media the station has a presence on social networking sites such as Facebook and Twitter.  The station manager Mohammed Bouchkal is keen to keep up with the online community;

“We do get a few international responses and we put a map, a tracking map, on the website where you can see all the red dots where people are listening from – places you think could never pick up Leith FM!”

Having formed part of one local entertainment event, Leith Festival, the station has ventured into the world famous annual Edinburgh Festival with interviews and reviews of well known and upcoming entertainers.  Past guests include Sir Anthony Hopkins, Foster & Allen and Jimmy Osmond.

 

The New Recruit

Rehan Yousef is a 28 year old former TV and film student who is a convert to radio.  He’s enthusiastic and very ambitious about his Asian music show on Monday nights;

“My dream is to have a show where one week we’re talking about a local issue then another week talk about an international issue but maybe something people haven’t really heard of.   We did a story on Sri Lanka and the constitutional crisis and we weren’t sure it would work but we had a wee bit of feedback, at first; ‘What’s going on? this is Leith FM!’ but after the show they were saying; ‘you know what – this is really interesting and I’ve learnt something!

 

Source: LeithFM

 

 

 

 

 

Rough air waves

Not all attempts at community radio have been successful.  Six stations failed to start while three have had to return their licence.  Charles Fletcher, who had introduced local broadcasting to Leith, failed to establish a bigger venture in nearby South Queensferry.  According to Professor Anthony Everitt, author of the 2003 local radio report New Voices, community radio is in constant fear of closure.  Everitt’s recommendations have formed the basis for government legislation but the Community Radio Fund (CRF) is well below the £3-4million he wants.  When the CRF was set up in 2005 it was £500k per year and only 14 stations, but since then very little has been done to support the boom in licence holders.  A campaign was launched in 2009 by Professor Everitt and 82 community radio leaders, media scholars and experts including representatives of 60 community radio stations.  A petition gathered over 1700 signatures and an open letter to Prime Minister Gordon Brown pointed out, amongst other issues, the fact that 150 community radio stations receive less funding than a Radio One breakfast DJ.  Looking to the continent is furthering their argument with France providing 25 million Euros annually to 600 community radio stations.

 

On-air and off-air life has not always been easy for Leith FM.  As with all small voluntary ventures there have been bust-ups and trouble organising everything.   In September this year Leith FM found itself on a list with fourteen other community radio stations in breach of their licence conditions having failed to submit an annual report to Ofcom on time.  The main issues have been more fundamental to staying on-air and Mohammed Bouchkal believes the stations problem is keeping the books balanced;

“We’re keeping it afloat at the moment but we do need a lot of money to keep the station going.  We do try to keep a good contact with the Scottish Parliament so they can help but I think most of the money goes to other organisations such as cancer research – more serious things than a radio station”

Freddie Roddick, presenter and scheduling Manager believes that membership is tricky;

“The big problems I’ve come across are volunteers coming and going and , especially at this time of year, trying to find new volunteers to fill positions. A lot of volunteers work during the day so trying to find people for daytime positions is a nightmare!”

And of course, says Mary Moriarty, everyone wants to be the star but not necessarily do the donkey work;

“There is a priority for people just to be presenters and, probably, that is as much as they want to do which is quite right but I think for the advancement of Leith FM it would be more encouraging if everybody took part to make it better”

 

The future

Things are still fresh at Leith FM with volunteers learning all the time.  The team were, along with many others, pioneers in local media and despite hardship the station has continued to sail along.  The media world changes quickly and the FM signal itself has been threatened by digital technology which, at the moment, is far less accommodating and flexible than the traditional medium.  Ed Vaizey, the Culture Minister, stated last July that the Government will not trash analogue radio once the digital switchover takes place in 2015 but it will encourage listeners to go digital as quickly as possible.   The new technology is growing steadily with 11m digital radios sold in the UK serving 24% of listeners.  Where will Leith FM and community radio fit in this new world?  It is probably too early to tell but it runs the risk of being marginalised by wealthier companies buying up the airwaves, and community radio stations lack the expensive technology to broadcast digitally.  But smaller commercial stations will face the same difficulties so community radio is certainly not alone.  Leith’s community will also change.  The area is now targeted as one of the main centres for renewable energy construction in Scotland.  Tourism will also transform the area with a growing cruise liner industry and the possible resurrection of the stalled tram project.  As can be seen in other city port redevelopments the results do not necessarily improve community cohesion and can even be destructive.

The most recent announcement from Ofcom repeats the “genuine success story” mantra of community radio.  Despite “Broken Britain” people still need a sense of belonging and this is strong in Leith.  The burgh has always been proud of its distinct, working class and community driven ideals which soak into every pour of Leith FM and flows out again across the airwaves, hopefully for a long time to come.

 

Dr Martens 50 Years Young

Dr Martens where originally introduced to the working class of Britain in 1960. Celeste Carrigan looks back over a half-century of a piece of iconic fashion….

 

 

Dr Martens Logo

Dr Martens Logo : Sourced Dr Martens

The iconic cult classic piece of fashion Dr Martens turned 50 years old this year in April. The boot has forever remained the shoe of choice for subcultures and looks to be with us for another 50 years. The tough looking, hardworking work boots are an emblem of British fashion. They have been on a journey of freedom, individuality and empowerment. [Read more...]

An American Dream in Scotland

What was once synonymous with America is now becoming a staple of Scottish tradition, but how is it being adapted across the pond, and how has the recession affected the prom business? Patrick McPartlin went to find out.

For most British schoolgirls, the idea of a prom normally involves splashing out on expensive dresses, getting their hair and nails done, and deciding whether or not to book that pink fire-truck as transport. For the boys, it’s looking awkward in dinner jackets or Highland dress. It’s normally a process that lasts for the majority of the school year. University applications are neglected, schoolwork lags, and nothing seems quite as important as the school prom.  Most long-suffering teachers and parents would point the finger at Hollywood creations such as Grease and in more recent history, 1980s films such as Pretty in Pink and Sixteen Candles. Of course the recent influx of American teen movies in the vein of American Pie, which often focus on the hapless hero’s attempts to woo the girl at the high school prom. Recognisable by the ill-fitting suit and crushed corsage, these reluctant protagonists have become something of a poster-boy for awkwardness, reflected in part by some of Scotland’s teenagers.

A scene from American Pie, with the main characters at their high school prom (nydailynews.com)

The first recorded account of a prom as we know it was by a student at Amherst College, Massachusetts, in 1894, who described what would now be recognised as a formal senior ball. Proms on the other hand, have evolved from something traditional to something decadent. One of the main differences between proms in America and proms in Scotland is the choice of dress for the guys. As if there was an unwritten law about what to wear, nearly every male shows up decked out in a kilt. There is an almost insatiable desire to emulate the Americans, especially in terms of limousine transport. I spoke to a representative from a limousine company and asked him how profitable prom business was for his company. Steve, who’s been organizing limousines for proms for the past six years is well aware of the benefits: “It makes up our biggest percentage; the next percentage is the wedding side of things, but the schools’ proms is a big section of it.” Classic cars and party fire-engines, complete with uniformed drivers are proving big hits with the kids, but limousines are still the favoured method of transport. The very idea of a school leavers’ prom has invoked ideas of celebrity and rockstar lifestyle. The more expensive the dress and the flashier the limo, the better, but it’s not just the 17 and 18 year olds who are fighting to be in the spotlight. In recent times, the idea of a prom to mark a coming of age has spread, as Danielle, who has been doing prom manicures for nearly two years explains: “a lot of the high schools are getting more and more into it and so’s primary seven; it’s a growing kind of thing now.” She later went on to tell me that despite specializing in wedding hair she was noticing that more and more school children were getting their hair done. It’s a similar story with nail-care experts and dress-makers.

There’s an underlying worry with some parents about their children attending a prom between primary school and secondary school. Some parents I spoke to voiced their concerns about their children ‘growing old before their time,’ whilst others questioned the point in having a prom for eleven year olds: “It’s all very well having a prom at the end of high school; it’s a rite of passage, it’s marking the end of school education. But to have a prom for primary school kids is nonsense.”  In a day and age where there is an ongoing battle between consumers and companies over the type of products marketed at younger children, the idea of a prom for pre-pubescent children seems a little, well, premature.

From my own experience, it wasn’t just tartan and Irn-Bru that helped my own high school prom feel distinctly Scottish, but the numbers of drunken sixth years, staggering about with an alcopop in one hand, and their makeup smeared halfway down their face. And that was just the boys. In what was an alarming comment on Scottish society, most of my peers had decided to use their prom as an excuse to get drunk. I hadn’t particularly wanted my lasting prom memory to be of me holding up one of my classmates, underage and severely under the weather from knocking back a few too many lagers, but it’s one that will remain with me.

Obviously for the primary-age children, one would hope that it wouldn’t be a similar story. But that’s where the worry lies. Children are starting to drink from younger ages. A recent article from the Guernsey Press highlighted the worrying trend for pupils as young as 12 turning up at school on Monday with hangovers. Due to the nature of advertising and television programmes, it’s nearly impossible to place children in an adult setting and not expect them to ape adult behaviour. Diana Appleyard pointed out how children are becoming ‘mini adults’ in the Daily Mail last year, titled The Primary School Prom Queens.She produced eye-opening figures about children as young as seven wearing dresses costing hundreds of pounds, along with fake tan, fake nails and makeup. Yet the parents seem to have no problem with forking out for outfits, or the idea itself, calling it ‘cute’ and citing the introduction of films like High School Musical as having given rise to this obsession with proms. When I asked a few parents for their opinion of proms for primary age children, none of them fully supported the idea. One mother admitted that she was uncomfortable with the idea of allowing her younger daughter to attend such an event, but had let her daughter go regardless, saying that she didn’t want her to feel left out. It’s clearly more of a dilemma for some parents than others.

So, with the country coping with a recession, it would seem sensible to assume that the money spent on proms would diminish. From what I’ve seen, it’s actually the other way around. Some parents were quite surprised at the suggestion that the recession would have limited spending on proms. I asked a few parents how they would cope with higher prices and less money. None of them felt that the recession was a stumbling block whatsoever. Some pointed out that they were actually spending more money on their child’s prom because they hadn’t gone on holiday this year. Others were adamant that such an important rite of passage shouldn’t be affected by money issues.

I visited a school that is well known for its charity work and donations to organizations such as the Scottish Catholic International Aid Fund (SCIAF) and the Seed of Hope charity that helps girls in Kenya to receive an education. The school, along with final year students, has held a fashion-show-cum-prom-fair with a difference, for the last five years. Cath Whitten, the head of sixth year told me more about the idea behind the event: “Tonight’s fashion show has two different themes, really. It’s to allow all of our pupils to see the variety of dresses they can buy, where they can get limos, anything they need that will make their prom a success and it’s also in aid of various charities that the kids themselves take part in. For instance, part of the money tonight will go to help a number of people go to Lourdes in the summer with the archdiocesan pilgrimage.”

It was all very well organizing this fashion show under the banner of charity, but the real question is how effective it is. I know for a fact that a lot of the pupils taking part in the event regularly give to charity, even if it’s just emptying coppers from their pockets at the end of the week, but it almost feels a bit paradoxical, to be advertising decadence alongside charity. Perhaps that’s the way forward; the charity angle is certainly one to be commended, but I think there’s a bit of a concern that it’s the guilt factor dictating the dual purpose behind the event. Besides that, it’s the parents who turned up on the night who were the ones most likely to be footing the bill for their little darlings’ prom. Haircuts, fake tan, manicures, expensive dresses, eccentric modes of transport, makeup, a bag to go with the dress, perhaps some matching jewelry as well are all on the list for those graduating from high school next June.

In America, high school proms are limited to high school graduates. There are no imitations for younger children. Whether this is down to the difference in the education system or America’s more conservative nature is unclear, but from speaking to a few American students, some who have already been to their high school prom, and others who are eagerly awaiting their turn, the attitude is vastly different to that of Scottish pupils. Aubrey, who attended her prom in May of this year was very enthusiastic about the event as a whole: “It’s more about the end of an era. It’s still very traditional; you pick a date, and the two of you go together to the prom. It’s not even necessarily a ‘love’ thing; it’s often friends who go together, which reflects the overall feeling.” When I asked her about the drink culture, and explained how it was in Scotland she was shocked: “There isn’t really a drinking culture per se at our proms. I mean sure, we drink, there’s often a punch bowl for example but it’s all very measured. It’s not a party, it’s a formal event.” Allie, who graduates next summer, is looking forward to her prom already but remembers the media coverage that lesbian teen Constance McMillen received earlier this year after she challenged her school’s policy on same-sex prom dates:It’s ridiculous really. One of my friends is gay and the school has no problem with him bringing his boyfriend to the prom. It’s not about opinions or morality. It’s about having a good time with the people you’ve spent most of your life with for the past few years. It shouldn’t be about politics.” Both girls were more interested in the sentimental aspect of school proms than anything else, something that doesn’t play as big a part as it should in Scotland. The unanswered question is whether Scotland’s drink culture is responsible or whether it’s a difference in society in general.

At the end of the day, the prom business is one which appears to have been unaffected by the recession. It’s still an important rite of passage, the bridge between school and further education, or the world of employment. Girls are still buying dresses worth £800-£1000, and paying significant amounts of money in order to get their hair styled like a Hollywood celebrity attending an awards ceremony or a film premiere. Whilst the Tinseltown effect hasn’t really rubbed off on the guys to the same extent, it might only be a matter of time before they start to rival the girls in prom spending. Or they could save the extra cash for another pint of Tennent’s. The surprising thing is just how much the prom culture has taken off and how it affects other businesses. In a small provincial town like Livingston for example, the high school proms provide business for local hairdressers, manicurists, dress-makers, limousine companies, even the local tanning salon. So it’s just possible that the growing prom business is actually providing a bit of relief for local businesses despite the recession. It’s unclear where proms will go next. The big business side of proms will surely continue to thrive, as will local companies. Perhaps the dresses will get more expensive, the haircuts more elaborate…who knows, maybe flying in by helicopter will become de rigeur. That student from Amherst College may well be spinning in his grave come June next year.

Psychology of Dance: Personality through movement

The moonlight plays along their intense features. The movement of their feet along the floor sounds in the ears of their captive audience. Locked in a close embrace the pair skirt the edge of the dance floor capturing the attention of all around them with their elaborate movements. A skilled couple will create an air of tension when performing an Argentine Tango.

Tango: the dance of passion. Courtesy of Nation.

Relying heavily on improvisation this dance represents lust and desire . The intricate leg flicks emulate the passion felt by the dance partners and their sharp movements create a subtle erotic atmosphere. The sexuality of the tango is covert and the dancers merely hint at their attraction, rendering it all the more intense. Compare this with a couple dancing a salsa and the atmosphere changes completely. The tension evaporates and the mood is more playful. It is still a sensual dance of passion but the performers are more vibrant and extravagant. Rather than conveying restrained desire, the dancers openly flirt with each other through their quick leg and hip movements. Salsa is a dance which celebrates the enjoyable things in life.

Both dances tell love stories, though in different ways. The tango represents attraction that is passionate and intense and sometimes forbidden. The dancers create a sense of lust and desire through their movements. The salsa portrays the flirtatious and playful elements of sexual attraction and makes it into something fun. The performers in both dances deliberately set out to convey a certain set of emotions. The same is true in other types of dance. The fluid movements in a rumba create a feeling of romance and sensuality while there is a sense of power and aggression in a Paso Doble. Its roots lie in the culture of the bullfighters in Spain so it is sometimes even more evocative when it is performed by two men. These dances were founded in the Afro-Latin tradition of South and Central America. In these cultures, dance is as much a part of social interaction as speech is. In some ways it is a more effective way of expressing emotion, which raises the question if body movement can be seen as an accurate indicator of personality.

Some psychologists have argued that the way people dance might be influenced by their hormonal and genetic make up. In other words, when a person is shaking their booty on the dance floor they reveal more about themselves than their sense of rhythm! What is of key interest here is how much someone shows their personality in the way they move their body. New research conducted in Finland suggests that dance styles provide an insight into individual personality traits. The study was lead by Dr. Geoff Luck and looks specifically at spontaneous movements to music. The research is built on other studies which look at the link between dancing and self-confidence. These work on the assumption that the key to personality and sexuality lie in the way a person moves their body. Evolutionary psychologists think that this has an important role in sexual selection and how a woman would measure a man’s attractiveness. The ideas laid out here could offer some explanation as to why some types of dancing appeal to certain people and not to others. These studies help to form a better picture of the psychology behind dance.

People of all cultures have an innate ability to enjoy or dislike dancing, depending on how they have evolved. Followers of Darwin would argue that individuals dance in order to gage the suitability of potential life partners. Women dance in order to encourage men to do the same so that they can learn more about them. Someone who can dance well is in good health, has a lot of stamina and strength, and can react quickly to movement. These are all indicators of how natural a fighter a man is and how fit he would be to protect his partner in a dangerous situation. That is not to say that a woman will be attracted to any man who gets involved in a pub brawl, quite the contrary. It is the ability to defend oneself that is desirable rather than actual fighting. In Brazil, Capoeira is a martial arts form of dance which allows performers to show off their acrobatic strength to onlookers. The dancers use sweeps and kicks to demonstrate masculinity and strength but there is very little contact and their movements follow the rhythm of the music as they dance around one another. There does seem to be a link between dancing and fighting ability. Patrick Swayze melted a lot of hearts with his smooth moves in the film Dirty Dancing but he also held a black belt in karate when he was alive. Bruce Lee, who is regarded as one of the finest martial arts experts of his time is also a Hong Kong Cha-cha champion. This explains why women fancy a lot of the sportsmen on Strictly Come Dancing- it is their smooth moves that we find so irresistible!

There is some science behind this theory, though. In June 1998, a university student in Stirling measured how much women rated dancing in attraction. It consisted of two parts. First, the women involved were given a questionnaire and asked to rank a variety of desirable traits in a potential life partner. There were sixteen in all and the top characteristics were the ability to defend oneself and his partner, and physical attractiveness. Being a good dancer came in at number fifteen which indicated that it is not very important in choosing a partner. Sometimes people judge athleticism and creativity indirectly through someone’s set of dance skills. Dance displays physical prowess and stamina. This coincides with the second part of the study which asked the women to rate the attractiveness of six men while they were dancing. Five out of six were rated as more attractive after the women saw their moves.

Dr. Geoffrey Luck, a music psychologist, claims that the movement involved in dance can also be seen as indicators of personality as well as physical ability. The dance floor is the perfect place to learn about someone. “People use body motions as reliable indicators of others’ personality types”, he says. “Music is known to evoke strong emotions in people and emotions can be expressed through bodily movements”. The research looks at the way people dance to music in nightclubs and to what extent this can be used to gage their personality. The study was done in Finland and involved sixty volunteers. These had been chosen out of an original nine hundred who had all taken a personality test. The test is commonly known as the OCEAN test because of the five traits it measures: openness of mind, conscientiousness, extroversion, agreeableness, and neuroticism. The people who scored strongest on these characteristics were carried through to the second part of the study. “We watched the volunteers dance spontaneously to thirty different music tracks from six genres of music including rock, techno, Latin, jazz, funk and pop”, Dr. Luck explains. “We then analysed the movements of each individual and weighed them up against their scores on the OCEAN test. We found strong correlations between certain dancing styles and each personality”.

So what should someone look out for when a person shows off in

How you move may reflect your personality. Image from Pure Energy.

the night club? Extroverts seem to be vigorous and animated when they’re getting their groove on. They tend to move their body all around the dance floor and use a lot of exaggerated arm and leg movements. These are the people most likely to crash into others around them when they are dancing. Rock music really gets an extroverted person going with lots of head-banging and jumping around. So the chances are if someone has a strong sociable personality off the dance floor it will shine through on a night out! Rock music also brings individuals of a neurotic disposition out of their shells. Otherwise, these people tend to be as nervous when they are dancing as they are in everyday life. Their movement is characterised by sharp jerks of their hands and feet and often they practice “shuffle” dances. They move as little of their body as possible for fear of drawing attention to themselves in a crowd. A neurotic dancer will often sway awkwardly to the music for a while and then try to find an escape route off the floor as quickly as they can.

If someone in the room has a smooth dance style with soft yet elaborate hand movements, they probably have an agreeable personality. These people move from side to side across the floor and usually dance with their whole bodies. As the term suggests, these personality types are generally good natured and courteous and this is often reflected in their dance etiquette. An agreeable person will move around the room without getting in the way of any other dancers. I recognise this dance style in myself and when I hear a Latin rhythm I can’t help moving to the beat. This is the type of dancing which agreeable personalities show the most confidence in. The opposite is true of those who score high on openness of mind. Generally curious and creative, these individuals stick to moving up and down in time to the music and do not take up much floor space. Someone who enjoys dancing with their entire body in a limited space is likely to value new experiences and be very inventive and original. Techno is the genre of choice for a lot of these people and they really let loose with rhythmical limb movements. Conscientious people tend to move to this style of music in a jerky fashion, however. These normally self-disciplined and reliable individuals free themselves in a night club. They make as much use of the dance floor as possible and elaborate hand movements allow them to move greater distances. This is in contrast to their usually careful disposition. Dancing seems to be an outlet for them to let go, particularly when it comes to jazz music.

Having said all that, these are all generalisations and of course there will be variations. Some people may be quite extroverted but be restrained in their movements. A person who is normally introverted may feel more relaxed on the dance floor than they do anywhere else and really give it lots of energy. It all depends on the individual. Nevertheless, the points raised by the study are valid and it is worth keeping in mind. If you think back to the idea of dance as a form of communication and social interaction, it makes sense that a person will reveal elements of their personality in the way they move. In many tribal communities, dancing is often used by men as a way of attracting women. The link between dancing and fighting ability is vital in these cultures. A man who can dance well indicates the capability of protecting his family. This argues the case that there is an evolutionary reason why some men seem to be uncomfortable with dancing. In sexual selection a woman would normally determine how reliable a man is by measuring his fighting ability. If this is indicated by good dancing then there is a risk that someone who is a bad dancer will not get the chance to pass on his genes. It is safe to say that this is not of huge concern in this day and age but it could account for an innate prejudice some men have against dancing. No one likes to show themselves in a bad light, especially when they are trying to attract someone of the opposite sex. So the next time you are out in a night club, it is worth taking a moment to look at the movers and shakers around you. It is interesting to think about how much they may be unconsciously revealing about themselves. Think about your own dance style and see if it is an accurate reflection of your personality. You never know, you could discover something about yourself you were never aware of before.

‘Japan: high tech image, low tech reality’

By Jen McClure

Still going strong in Japan... Courtesy of Sony pictures

Robots, high speed trains, electric cars, and cutting edge electronics; you know what country I’m talking about, right? Japan. But, move away from the bright, hi-tech lights of Tokyo, and you will find none of the above anywhere to be seen.  Shocked? This is Japan’s low tech reality.


Japan is very good at exporting its hi-tech image to the world.  The Japanese have crafted a very clever image for themselves in their electronic paradise.  It is true that Japan has contributed technological advancements to the world, but Japanese technology should come with a warning label, “For Export Only.” In reality, everyday Japan is far from cutting edge.  Image this scenario: a place where the ATMs close at 9pm, offices without computers, fax machines in wide use and most homes without central heating.  Hard to believe? Yes.  But, this scenario is all too real in modern day Japan.

Two years ago I left Scotland and went to teach English in Japan.  Stereotypical images of Japan were imbedded in my mind: hi-tech gadgets, heated toilet seats, vending machines and high speed trains.  This stereotype was not incorrect, but once you move away from Tokyo, reality starts to kick in and you begin to wondering if you have travelled back in time…

Everyday life

I moved into my apartment in August 2008.  My immediate observations were: there’s no oven, how can I cook without an oven?  The stove looked like it belonged on a camp site.  The apartment came with a VHS video-recorder. What was I ever going to do with that?  There was a Discman in one of the drawers.  I found cassette tapes.  There was no central heating, just kerosene heaters that give off toxic fumes.  This apartment was not even 10 years old, but already its contents were sadly out of date.

Everywhere I went there was some object or technology from the recent past still living a happy existence in Japan.  Walkmans, Minidisc players, fax machines, you name it, they still have it.  Trying to settle in, I was often overwhelmed by Japanese and frustrated with not being able to read or understand anything.  My next door neighbour, a fellow foreigner helped me out by taken me to our local DVD rental shop.  I thought DVD, music and video game rental was recent history –apparently not.  In the UK people no longer use such establishments.  You can order movies online instantaneously or buy cheap DVDs from Amazon.  DVD rental is big business in Japan.  I wonder if that is because DVDs, CDs and video games are expensive to buy in Japan and most people would rather rent them than buy?  I rarely used Amazon.co.jp but when I did I thought it was great as you could place your order online but pay for it at your local convenience store in cash.  The number of Japanese people I knew who used Amazon.  Zero.  Did I mention that Japan is a cash society?  You can pay for pretty much anything at a convenience store.  Airline tickets, concert tickets, your gas bill…and so on.  You can also do “cash on delivery” in Japan.  All this is very convenient but I missed not being able to use my flexible friend.

Bank cards in Japan do not even resemble their UK counterparts.  They are quite possibly the most ‘budget,’ ‘un’ hi-tech cards you have ever seen in your life.  Sure, your name is embossed on the card but that’s about it.  There is no magnet strip so I have no idea how the machine reads your card and you can rarely use the card in an ATM that doesn’t belong to your bank.  In my case, my ‘bank’ was a regional bank which only operates in the prefecture where I lived.  If I wanted to travel to Tokyo or anywhere else, I would have to bring with me all the money I needed for that trip.  And forget about paying for anything by card or easily using a foreign credit card.  Convenient?  I think not.  On the plus side, ATM’s in Japan accept coins and the cartoon characters on the screen bow at you before and after your transaction.  What they lack in convenience, they certainly make up for in politeness.

The world of (Keitai’s) mobile phones in Japan would leave some people baffled.  Your stereotypical view that all things must be miniature could not be further from the truth.  Mobile phones maybe larger, but they can do so much more than your average UK phone.  Japan has had a 3G network for years which puts us to shame.  The amazing thing about mobiles in Japan is that you can send long emails directly from your phone.  Any basic phone can do this, not just your flashy iPhone or Blackberry.  You have your own personal email address for your phone, e.g. jenmcclure@softbank.ne.jp  and you can send an email to any address including other people’s computers anywhere in the world from you phone.  Text messages are so limiting in the UK and quite frankly seem rather primitive in light of this technology.  Another amazing thing about Keitai’s is the ability to pay electronically for just about anything.  Infra-red sensors on your phone are placed over a pad at cash points in convenience stores so there’s no need for a cash transaction.  Smart, but why not just use chip n’ pin bank cards?  Brendan Jenkins an English teacher in Japan commented about internet use on mobile phones in Japan: “This is one aspect of Japan that is interesting; I would say that a lot of the younger generation are more comfortable using the internet on their keitai than on a computer.”  I think this statement is very true.  And finally, in the interest of safety, Japanese phones send a message warning of an imminent earthquake just a few seconds before they hit –clever.

At the Office

The high school that I taught at was paying homage to everything “old school.”  Blackboards with chalk, wooden desks, no technology in the classroom –there was barely any electricity.  In the average classroom there was no chance to use a laptop as there was no overhead projector.  The amount of technology I could use in a classroom amounted to a CD player.  There was no central heating and in the winter, students sat at their desks with blankets around their laps.  I lived in Northern Japan and it gets extremely cold and snowy there.  And my school was not the worst, in fact, it was pretty much the norm.

Paper and chalk is the tradition at Japanese schools which means that IT skills are at a bare minimum.  There doesn’t seem to be the same focus on learning basic IT skills in Japan compared to the UK, which may explain why people are so resistant to embracing new technology.  Forgot about pupils for a second, teachers were poorly trained in IT skills, many of whom could not perform simple tasks, such as making a graph or adding a picture to a document.  The computers at my school were old and slow and in need of an upgrade.

The internet is barely used at school even by teachers.  This is a quick anecdote from a recent survey of foreign residents in Japan.  Here’s what one foreigner wrote: “When I ask a question to a colleague in the workplace and they can’t answer it, they ask others in the office, then it goes as far as family members, neighbours and friends.  In America we would just say, lets Google it.”  Google, Gmail, Wikipedia, Facebook and YouTube are not widely known or used in Japan.

Interesting, a fellow English teacher, Andrea McGovern was asked this question by a Japanese friend: “Do you think Japanese students are way behind western countries in using computers and technology?” and she said in a word, “Yes.”  Her friend said that he never used a computer until university.  And he’s not ancient, he’s 27.  This discussion about technology circulated around other foreign English teachers and they shared their views about the school they worked at.

Here are some of the revelations:

“The library has only 2 working computers and I have yet to find a computer room. Recently my 2nd years were asked to research an aspect of Japanese culture in order to teach a foreigner about it on their school trip. The students turned to books, some older than I am for information.”  Anonymous

“My Junior high school students seem to barely interact with any technology other than their TV’s and DS consoles.”  Andrea McGovern, NZ

“When I first arrived here 7 years ago I was amazed at how old and out-of-date the junior high schools seemed to be.  Only 1 out of 4 junior high schools that I go to even now has a western toilet, all have paraffin heaters in the classrooms which cause massive amounts of condensation, but none have air-con in the classrooms despite the heat and humidity in summer -only wall-mounted fans.”  Edmund Fec, UK

Schools in Japan are definitely lacking technology but slowly they are receiving more money for IT.  Japan spends a very small proportion of its GDP on education compared to other Organisation for Economic and Co-operation for Development (OECD) countries.  Until recently there was very little co-ordination of IT policy at schools even at a municipal level.  But not every school is stuck in a time warp, newer elementary schools that I went to have fantastic computer rooms and other good facilities.  Recently, every elementary and junior high school in Japan got a new large (over 40 inch) TV per classroom.  Ironically, a lot of them aren’t being used because they are too big to fit into the rooms.  My guess is that the schools had no say as to what size of screen they wanted.  Sounds like the Japanese government just bulk ordered TVs from China.

In the UK you’ll find “Wi-Fi” almost everywhere but in Japan there is virtually no “Wi-Fi” connection.  Internet at home is mostly connected from the modem by ethernet cable.  How backwards and limiting is that? In researching this story, so many people have reiterated this expectation of Japan: “I always thought of Japan as an amazing tech savvy country and found it quite the opposite living there.” Alexandra Robilliard, Australia. Alexandra also commented: “My senior high students were so fascinated when I told them that I keep in contact via Skype. I was a little surprised that none of them had ever heard of Skype whereas kids that age in Australia knew all about it.”

According to http://www.internetworldstats.com/stats3.htm Japan has a high percentage of internet users, a massive 78.2% but I think I can quickly tell you that most of that internet usage takes place on a mobile phone not a computer.  One interesting quirk about Japan is how anti- Apple they are.  Apple computers are scarce in Japan.  I was surprised to hear that Apple has not managed to infiltrate the market in Japan.  Back in 1996, Apple was keen to put their computers into Japanese schools but the answer from the Japanese Education Minister was a curt “No, Thank you.”  For some unexplained reason the Japanese are anti-Apple.  I knew people who had constant problems with their Macs in Japan.  Edmund Fec commented about his employer’s reaction to his Mac: “In Sakata city, I’m not even allowed to connect my Mac to the school LAN because Macs aren’t supported by the computer service company.”  When it came to setting up the internet in your apartment and you had a Mac, you were in for a long wait.  Alexandra Robilliard commented about the Internet Service Provider’s visit to her apartment: “They all arrived, see the Mac and there is the horrible intake of breath/sucking of teeth that makes me realise it will be a mission.”  Japanese people just can’t deal with Macs.

A quarter of Japan’s population are over 65 years old and they are not very IT-literate.  In the work place, superiors of an older generation haven’t come to grips with the technological advancements of the last 20 years.  Japanese offices are usually oversubscribed in manpower as this is seen as the traditional way to run a business.  You’ll find many people in jobs that have been obsolete in the UK for years.  There are people who still happily work calculations out on paper and store data in paper files rather than on a computer.  The offices I went to in Japan were all wall-to-wall jam packed with files and documents from the past couple of decades.

This bureaucratic nightmare became all too evident in July 2010 when an astonishing story hit the headlines in Japan.  The police found the mummified body of a man believed to be one Japan’s oldest at 111, but that’s not the alarming part.  The man’s 81 year old daughter had been collecting his pension for over 30 years.  She left his body in a room of their house and didn’t notify the authorities of his death.  This shocking revelation sent local authorities all over Japan checking up on their elderly.  The results were not favourable.  To date, Japanese authorities have not been able to find more than 280 citizens who were listed as being over 100 years old.  Once this story came out, many more followed; a Tokyo woman of 113 who had been last seen in the 1980’s,  a woman believed to be one of Japan’s oldest at 125 is also missing.  Authorities tried to find her at her last known address but when they got there, they discovered that the site had been turned into a park in 1981.  The New York Times wrote about the questions on everyone’s lips: “Is the country witnessing the results of pension fraud on a large scale, or, as most officials maintain, was most of the problem a result of sloppy record keeping? Or was the whole sordid affair, as the gloomiest commentators here are saying, a reflection of disintegrating family ties, as an indifferent younger generation lets its elders drift away into obscurity?” From my experience of the Japanese workplace, sloppy record keeping and non computerised records are the main culprit in this instance.

Japan was an advanced, tech hungry country 20 years ago but with its aging population and economic decline it seems that Japan has lost its sparkle.  Indeed, it still has many things that would blow your mind: a visit to Tokyo’s electric town or a trip on a bullet train, but your average visitor doesn’t see the real Japan behind its glowing neon lights.  They don’t see the bare classrooms, the old computers, the out of date technology clinging on for dear life, which has been long dead in the rest of the world.  But, the amazing thing about Japan is that it really has refined and polished so many wonderful everyday items.  Toilets, appliances, cars, navigation systems, TVs, trains, karaoke machines, vending machines, interactive restaurant menus, robotics.  None of these items were invented in Japan, but they glow with the aura of Japan; functionality and practicality.  All Japanese people should be proud of that.

Do they know it’s Christmas time at all?

Fighting in the baking heat of foreign climes does little to acclimatise ex-servicemen and women to life on the bitter cold December streets of Edinburgh. For some that leave the armed forces, pavement slabs become their new trench or fox hole as a new fight to survive begins. Dulce et decorum est pro patria mori may be ‘the old lie’, but a harsher truth prevails for those who have fought in Britain’s armed forces and returned home to reality, David Walsh writes.

 “Knee knocked, coughing like hags, we cursed as we trudged through the sludge,” wrote war poet Wilfred Owen in 1917 in his asylum room at Craiglockhart. The words uncannily ring true this month in a snow and slush-covered capital city. Like the many fallen soldiers of the Great War, the homeless faces of Edinburgh facing these sub-zero temperatures become mere statistics to the general public. 6,739 hot meals. 44 beds a night. 809 volunteers. 928 sheltered, given support and a warm meal*. The glow of Christmas street lighting, the glitter of shop window baubles or the cinnamon-sweet offerings of the Christmas markets do little to thaw the cold reality for many this Christmas.

Christmas is a desperate time for those on Edinburgh's streets. Source: MMO News.

Among the faces in the shop doorways and closes this holiday season could well be someone who fought in the Armed Forces. As the old maxim goes, charity begins at home. Bob Geldof asked a question back in 1984 of the famine-stricken people of Ethiopia. Few ask the same question to those soldiers who have returned from combat to altered lives back in the UK; do they know it’s Christmas time at all?

Exact figures for just how many people sleep rough on Edinburgh’s streets every night are difficult to compile due to the constant transient state they are in. Some “sofa surf” at the homes of friends and families, or gain temporary, sheltered or hostel accommodation. They become apparitions in the system. The best indicators the Scottish government are able to venture are lists of statistics of the number of applications for assistance made by people who had slept on the street the night before. This amounts to 39 people in Edinburgh during 2009-2010. This hardly offers a complete picture. Shelter Scotland put the figure for homeless people, those without homes, facing eviction or living in inadequate housing across Scotland at 40,000. The actual number of ex-servicemen and women among these who are homeless or otherwise sleeping rough remains contentious.

London-based charity Veterans Aid cites UK government statistics which claim there are only 450 ‘rough sleepers’ on the streets nationwide and only four per cent of these claim a military connection. Press officer Glyn Strong believes there is a gross over-exaggeration in the press about the number of veterans on the streets. With over 3,000 organisations in Britain working to support ex-service personnel, it’s an enticing prospect for many who claim to have been in the army to invent a service history to get help. Even so, if the facts are true, government figures show eighteen veterans are currently sleeping rough on the streets of Britain. Eighteen too many, in any case.

Instead of scouring the streets of Edinburgh to find a homeless veteran, we come to the Grassmarket in the city centre. Nestled between the relative silence of the snow-laden Greyfriars kirkyard and buzz of the Grassmarket, the Grassmarket Community Project is an unassuming building on the outside. Behind its facade, it is a hive of activity and industry. The project co-ordinator, Josiah Lockhart, explains that help for the “down and outs” of Edinburgh began with missions in the Grassmarket in the Victorian era. Even now, there are homeless shelters and hostels in the four corners of the Grassmarket itself, mostly in the closes behind it. Out of sight, out of mind?

The Grassmarket Community Project arose out of a partnership of two such historic missions; the Greyfriars Kirk and the Grassmarket Mission, both tracing their origins back to the 1800s. Their original purpose was to work with homeless adults, the Grassmarket being an area of the city where the poor and wealthy lived juxtaposed. The Community Project has now branched out to help adults facing social exclusion or struggling with addictions and mental illness too. As well as offering hot meals at its three weekly drop-in hours, it offers classes in cookery, textiles, woodwork, drama, art, IT, literacy. But Josiah Lockhart asked one important question five years ago: “Is the need we’re trying to meet the need of today?

“As time has gone by, the needs of people, what homelessness looks like has changed a lot. Issues are more to do with health and well-being and access to food. We’ve evolved over the past four years from being that mass-catering, queue-up service to one that’s a space, a community.”    

There’s a constant flurry of activity in the one room as people leave and return and new faces arrive. We sit talking as Christmas songs are played on a hi-fi in the corner and decorations are hung from the ceiling. One of the new faces rushes over to us especially to tell Josiah his good news. He has been given the all-clear by doctors for his cancer and finally has a meeting sorted to discuss his benefits. “I’m on a cloud nine” he beams. One woman who joins us at our table is Ellen.

A former Captain in the Queen Alexandra’s Royal Army Nursing Corps, Ellen Pain served as a senior nurse in the 1982 Falklands conflict. Speaking to her at the Project, she is visibly shaken when talking about her experiences. “[The war] That was enough for me,” she said. After returning to civilian life, she suffered a mental break down which tore her family life apart. Asking what life is like for her nowadays, she said, “Some days I’m fine. Others I’m not. This place is a big part of my life. When I’m in trouble, I head for here.” Ellen became heavily involved with volunteering when the Project first started up in its current location on the Grassmarket. She helps with the running of the various classes, particularly the art group.

Was she given much needed help when she was returned back in the UK? “No, because they don’t know how to deal with us. They help no body. Quite a lot of ex-servicemen come here. We all sit on a wee table to ourselves,” she says with a wheezy chuckle. “We talk our experiences out at the table.” Many of those she sits with are fellow Falklands vets. Some were, in a bizarre coincidence, wounded men she cared for. “Yes they remember me! Very strict they said I was. I was a Captain. I was very strict. My ward had to be spotless and my nurses.” Daring to ask, we enquire as to what Christmas holds for her. “I don’t have Christmas in my house. For me now, Christmas is for children.”

Whilst chatting to Ellen, a man with a limp sits next to us at our table. Affectionately named Mickey by the other volunteers, Michael Glancy explains he chipped a bone on his foot after slipping on the ice. He, too, is an ex-serviceman. Serving in the Royal Artillery in Kosovo as a young man of nineteen, his life was turned upside down with the close deaths of his father and uncle. Since arriving through the doors of the Project at the drop-in clinics, he has developed aspirations to rejoin the Army to train men like the younger man he was a decade previous. Not only that, he wants to go to college to study sports science. These two volunteers, both of military backgrounds, are just two of over a hundred people who congregate at the centre in any given week, taking part in and leading classes.

On a tour of the building by Josiah, we encounter woodwork leader Tommy Steel supervising a group in the workshop. Having had some machinery donated and some bought by the Project, the centre is run on the profits of workshop sales. Some of the volunteers are soldering designs onto wood. Others are hurriedly completing an order for shutters for a church conversion in Fife. Speaking to him briefly, he told us: “We need to change people’s lives for the better. We run the project as a business so we have financial incomes to achieve. We also have environmental outcomes.”

Starting in humble beginnings in a portacabin in the kirkyard, the business entails the recycling of church pews into high quality furniture. The wood is collected from churches all over Scotland and used to produce products ranging from gift items like candle holders and chopping boards up to household furniture like coffee tables and chairs. Tommy was part of the pilot project and has watched as the work of the volunteers has evolved into commissions, selling to notable names as Finance Minister John Swinney, and exhibitions.

 “The guys get a lot out of it. It’s not just about teaching woodwork. It’s the confidence, the self-esteem, the purpose in life. Recently, a large number of people have come off medication as a direction result of attending here.

“Medication for depression, mental illness. Through coming here, they’ve put structure back into their life and come off their medication.” One of the volunteers Tommy closely with had walked in off the street for the drop-in clinic and eventually left to study furniture making and upholstery.

With such schemes not made available by the MOD or British government as they are in countries like the United States and Australia, what does this mean for troops returning back to Britain with no prospects? Not all but a small minority – so small they cannot be accurately counted – fade into the ether and are forgotten. It is social projects like the Grassmarket Community Project that provide a stepping stone for those in a desperate situation to better themselves. This is felt no more so than at Christmas.

It is too early to tell how the cycle will touch soldiers currently deployed on operations in Iraq and Afghanistan in the future either. There are over 5.5m veterans in the UK. There are the regrettable few that failed to blend back into civilian life as seamlessly as the 96% of ex-servicemen who did. It is these Glyn Strong believes are disproportionately reported in the British press. “One homeless veteran is still one too many” she concedes. Just how many serving in Iraq and Afghanistan will make a similarly uneasy transition back into civilian life is yet to be known. It will be Edinburgh’s long-established charitable organisations who will likely bear the strain of getting those without homes or those without shelter living on the streets back on their feet this Christmas. In attending independently-run groups like the Grassmarket Community Project, those living rough on the streets or in sheltered accommodation, veteran or otherwise, will have company and a warm environment to be keep their spirits bright this Yule tide.

 *Statistics for Edinburgh from Bethany Christian Trust.

The New Organic

By Georgi Lindsey

Sourced from: SL Metal Works

Bringing organic into the bedroom. Sourced:SLMetal Works

 

We all want to be greener, healthier and adopt a more eco-warrior stance in life. Now we have the ability to do this in another area of our lives and not necessarily one you would have thought of.

 

Carbon Footprint, greenhouse effect, recycling and organic. These are all words we see daily to encourage us to do more to protect our planet.  In turn we can provide a better and healthier life for future generations and ourselves. We have options to buy organic food, body care, skin care, hair treatments and now, we can turn our attention to the things we buy for the bedroom. Once you slip under the organic bed sheets at night, you can introduce eco-friendly toys, lubricants, massage oils and know you are doing your bit to help the environment and your own well being.

 

It is now possible to buy sex aids that are graded fully organic. Meaning all ingredients are animal and ethically friendly. They are good for the environment and for the body but if there is a call for such products, what are the normal high street toys doing to us? To start with, there are ingredients called plastic softeners used in some toys that are called phthalates (pronounced “thay-lates”). These are thought to contain carcinogens, in short, these are substances believed to be directly linked to causing cancer. To understand the severity to what we are, ahem, putting into contact with our bodies, carcinogens can be found in tobacco smoke and asbestos.

 

Mary Clegg, a Sex and Relationship Therapist and Chair of the British Association of Sexual Educators, explains the importance on why we should think more about the products that we are using in the bedroom, “I think we need to think about what we are putting in and around our bodies especially since a lot of sex toys are going toward a very sensitive part of our body which has a very thin cellular wall. We need to think about how inert things are because a lot of people are allergic to latex, a lot of people have vulva conditions which means they have to be extremely careful but they still have every right to a sex life.”

 

“There is no substantial evidence that the above toxins have a direct link to causing cancer, nor is there any information on the long term effects of using these products.” Mary continues to explain why she advises health professionals to steer more towards the organic way of life. “I don’t think the evidence is conclusive enough. As somebody who advises and trains health professionals, I tend to steer them away from [toxins] and into the more organic area. Some people will become hyper sensitive so we need to reduce the amount of toxins and not increase them.”

 

We all know being organic is better for our bodies, but what are the main differences between the conventional and the more expensive kind? Take food for example, organic farmers use natural fertilizers like manure over chemical ones that help the plants grow. Insecticides are used to rid the plants of pests and diseases whereas our organic friends prefer to use insects and birds which are beneficial to the crop. More chemicals in the form of herbicides are used to kill off weeds from the normal farmer compared to our green-fingered friends who pull out those weeds by hand or rotate their crops. As for the animals used for meat, organic animals are allowed access to outdoor sceneries, clean housing and are well looked after. It is believed standard animal farmers feed their animals’ growth hormones and antibiotics to prevent disease.

 

As for a person’s overall health, going organic has many positive effects. Aside the obvious benefits organic food can offer such as better nutrition, less likely to contract an illness and very little exposure to chemicals. They can contribute to a healthier body weight; provide better moods and general overall fitness due to their methods of production.

 

If you are concerned more about the ethics behind your sex gadget, then think about the lower end products on the market, which have probably been massed, produced in countries like China who are well renowned for their poor work ethic and worker’s rights.

Other ethical and organic products that have become more popular recently are the materials in clothing. Organic cotton is the main one, like with food; cotton fields are also sprayed with insecticides and pesticides, which can be ingested like the organic food. These sprays get into the air, absorbed into water and soil but the seed of cotton is also made into oil, which is used in processed foods. The ethical side to this is to consider the conventional method of collecting cotton, farms in developing countries employ children to pick the cotton, and being paid one to two cents for every pound they collect. This is then sold at 50 cents (US dollar) per pound.

 

Another shocking fact is the illness these workers can suffer from. Pesticide poisoning includes a set of horrific symptoms including headaches, memory loss, vomiting, severe depression, confusion, and loss of co-ordination, seizures and tremors. Of the estimated 5 million cases, 20,000 of these people end up being killed by this disease. The Global Organic Textile Standard (GOTS) has been created to aid those people in need. Various clothing companies support GOTS, which is constantly growing. The standard is not just to wipe out the use of pesticides and similar chemicals, but also to stop child labor and to provide fair employment rights ensuring a safe and clean working environment, fair wage and working hours.

 

Organic Pleasures is an independent store based in Edinburgh, Scotland and run by Lucy Tanat-Jones, she explains the reasons behind the idea. “ There was a lack of sophisticated boudoir shops for women in Edinburgh, there aren’t any, its just the licensed sex shops or kind of high street tacky shops. Nothing that focuses on sensuality and women really as they all seem to be about male fantasy so I decided to do a lot of research and open my own shop.”

 

The front of the shop is as classy as the inside, no tacky neon signs or flashing lights. It is warm, friendly with a burlesque inspired look. Unlike when wandering round a high street store and been harassed by staff earning commission; it is relaxed. No pressure to buy, no tacky embarrassing gimmicks hanging from the shelves. The shop’s decor screams nothing but class. So what do the general public make of this eco-erotic store? “Everybody who walks through the door, although some people may not have grasped what it is when they come in, are quite surprised, its never a negative response though” Lucy says. “It is always tough in the UK because we have got quite an old fashioned and don’t talk about it attitude so it takes a while for people to understand it is not something people need to be embarrassed about and that’s part of what I’ve tried to create here, a nice atmosphere, intimate products and to make it about pleasure.”

 

There is a wide range of product choice and all have been certified by the Soil Association, a charity organisation set up by a group of farmers, scientists and nutritionists who look to promote plant, animal and human health along with good farming practice. Massage oils, lubricants, candles and body care are all organic. Everything is recyclable right down to the packaging and has been ethically produced in the UK. “I prefer to get it all done in the UK, I have sought out people who are experts in what the do and decide on one or two to use. It’s quite a long process.”

 

Organic Pleasures has been a long work in process, the main shop and online store opened in 2006 but it took a lot of preparation and hard work before Lucy could open the shop. “It is quite a long process, there was a couple of years of research and talking to the top formulators in the UK which was quite expensive. I just love projects and throwing myself into stuff but it involves talking to a lot of different people and knowing what it is in the market and on the shelves. You have to make sure its all natural and then go one step further by getting it certified. I just think it is much more pleasurable to have something that is good quality rather than just going to pick up a tube of fake cherry flavored massage oil for like £3 or whatever.”

 

It is a known fact that organic products are expensive; this is something Organic Pleasures have taken into account. Offering customers a basic, mid range and luxury type for every product sold. Her own ranges of toys are made from the cleanest and medically graded safe materials such as silicone, glass, stainless steel, wood and ceramic. One toy was made locally in Scotland, from Cherry wood. Sanded down to pure silk-like finish, the same material used in Rolls Royce’s car interiors.

 

The lingerie is just as ethical and safe as everything else at Organic Pleasures. A burlesque inspired range, all designed by Lucy herself to fit a standard English body which is why the 1930 – 40’s era seemed a perfect idea. Good fitting lingerie, in turn, will provide more confidence for a woman, which is what Organic Pleasures is all about. “I wanted a shop that sold everything for women to feel sexy in themselves. Made in England, silk lingerie and keeping mid price range. I wouldn’t spend £100 on a bra so I try and keep them more normal priced, in the £30-60s range.”

 

Lucy range is now taking off all across Europe and she has more designs in the pipeline. Although don’t expect to see her range of organic goodness on the high street any time soon, “That is so far removed from my philosophy and why I started it so that is the last thing I would want but definitely a couple of other boutiques and a few more shops up and down the country and across Europe.”

 

So do organic products of an erotic nature have the same effect on our health as the food and clothing? Mary offers her view, “Not sure it will make any difference but if you are comfortable about the product you use and you are not worried you are going to get a rash from it or develop some kind of reaction. It may certainly make for a better experience because you will have confidence in the product.”

 

Organic Pleasures is taking a new and innovative step in encouraging a person to take control for their well being. Not only can they feel more confident but also they can have some fun at the same time. So if you are thinking about taking an organic approach into the bedroom, then take Lucy’s advice as a final thought, “Your love life is paramount to one’s happiness.”

 

To find out more about Mary Clegg then visit www.basrt.org.uk (The British Association of Sexual and Relationship Therapists) or www.baseuk.org.uk which Mary is the chair of. Organic Pleasures can be found at www.organicpleasures.co.uk and to find out more about farm practice, environmental, human and animal health then go to www.soilassociation.org.

Was the Hurt Locker better than Avatar?

Jeremy Renner in the Hurt Locker.

Some scientists believe that six is definitely a bigger number than three. Yes, it is understandable that for some this is hard to comprehend, but it is true. It is simple math. During the 82nd Academy Awards of 2010, the Hurt Locker by Kathryn Bigelow (she’s the one that made Point Break) proved that six is a bigger number than three.

To put someone in a “hurt locker” is to physically mess someone up, badly. It is roughly associated with causing someone “a world of pain”. According to the movie’s official web site: “In Iraq it is soldier vernacular to speak of explosions as sending you to “the hurt locker”. The Hurt Locker threatens us with “hurt” throughout the duration of the movie – and delivers – in a stylish, gritty and exciting package.

Set in modern day Iraq, the film explores a bomb disposal squad’s descent in to what appears to be madness, led by their adrenaline addicted squad leader Staff Sergeant William James (Renner), whose recklessness in action borders on the insane.

With awards such as Best Achievement in Directing, Editing, Sound, Sound Editing, Best Picture and Best Writing/Screenplay under its belt – and nominations in virtually every category available – the Hurt Locker proved that going 3D is not a necessary commodity to make a classic movie.

Like Neill Blomkamp’s District 9 and the lesser-known sci-fi project Primer by Shane Carruth; Kathryn Bigelow – director of the Hurt Locker – proved that a massive budget isn’t necessary to make a good movie. Costing only $15million dollars to make it seems utterly dwarfed by: you’ve guessed it … Avatar. Costing in excess of $300million, James Cameron’s latest adventure would surely give The Hurt Locker a run for its money.

James Cameron with Sigourney Weaver on the set of Avatar.

Avatar had been in production ever since early humans discovered tools and fire. Throughout the Renaissance as the script developed and technologies became available, Cameron’s dream child started to grow legs. Several millennia had passed before the first stills appeared of Cameron himself wielding some massive bastard of a gun; we knew already that this was going to be a big film. The biggest film ever in fact: in the history of the world according to the hype.

The story, however; goes as follows: disabled man takes on job on mysterious hostile planet. Man uses a Navii Avatar to move around the environment where he meets and falls in love with a native Navii (much like the avatars on xbox live, but with more spears … and weapons … and problems.) It is all very spectacular, but it has been seen before. Our main character Sully turns against the evil humans and helps save the Navii. An extremely happy ending indeed that washes over the audience in an awesome wave.

It’s pretty much The Smurfs meets Dances With Wolves, with some of the best visuals witnessed in the history of cinema. It’s a conflicting film that keeps its audience feeling satisfied, yet confused and angry. Here’s why…

Having waited several years for Avatar to smash out of the screens and in to the audience’s face, we were expecting a miracle. We were expecting James Cameron to deliver “the” movie; the one that helps us get away from all the straight-to-dvd, Robert Pattinson jerk fests: the very same guy who does to movies what Prison Warden Percy Wetmore does to Eduard Delacroix in the Green Mile. In short, he gets royally screwed over.

The point being is that for a film to win best film selection at the Academy Awards, it has to be a film of substance, not just ground breaking visuals. As cool as they are in Avatar, they are sometimes not enough to win best picture. The Academy Award for Best Motion Picture is considered the most important of the Academy Awards and as it’s the final award presented; directing, acting, and writing efforts put forth for a film are all considered. This is why Avatar did not win.

To bundle Avatar in to the ‘experimental film’ section would be wrong. It was truly 3D, not like My Bloody Valentine, a film that uses 3D only as a gimmick. A poor, “why-did-I-spend-my-money-on-this?” style gimmick. Bigelow’s Hurt Locker involved the audience through tension and reality, masterfully exploring the depths of human emotions brought on through war. The opening title, an excerpt from American war journalist Chris Hedges’ book, War is a Force That Gives Us Meaning reads: “The rush of battle is often a potent and lethal addiction, for war is a drug.” An addiction so potent, we would be led to believe that the lead character is completely insane.

As well narrated as Avatar is, it is the story alone that makes it flawed. Unlike trying to defuse a bomb in the sweltering heat of Iraq, Avatar doesn’t leave us wondering what might go off. Throughout the Hurt Locker we are presented with the days left in the unit’s cycle, an addition that leads us to believe something bad is going to happen – a count-down timer – like a roadside bomb grinning at you before exploding in your face, completely ruining your day.

The Hurt Locker is as gritty piece of film. While Avatar feels fresh and clean, with its otherworldly colour schemes and studio perfect lighting Hurt Locker feels sand-blasted, coarse and realistic. Understandably, the whole point of Avatar is to take us to another world, to a different reality, brought to us through the power of silky smooth high-def projections; but it is the Hurt Locker’s realism that makes it a more powerful film. There are men like this risking their lives daily. On screen, it makes for harrowing, intense and dramatic story.

Yes, Avatar is purely sci-fi, a completely different genre of film altogether from Hurt Locker. Surely this would invoke outrage: that a sci-fi film has been compared to a war film. Some would even go as far as saying this is a mockery. Well, it essentially is. Avatar’s story line was predictable, and most importantly, lame; full of lack luster and all the makings of a great episode of the Smurfs. Avatar needed only to be less predictable. Of course Sully (Worthington) was going to weave his way in to the Navii lifestyle. Of course he was going to save the day by harnessing the power of that great big bastard of a flying beast that everyone was so scared of and of course Sully would become one of the good guys in the end, leaving his dead-legged body behind for a considerably taller and bluer Navii body. Suitably bored by this turn of events, one would be hard pressed to find anything tedious in Bigelow’s desert warfare classic, unless you do not like war films…or Bigelow’s sense of direction.

Avatar is Cameron’s baby as some would put it, and for what it’s worth he has done a fantastic job as always. Jim Cameron has created some of the most entertaining cinema ever brought to our screens. The Abyss, Terminator 2: Judgment Day … Titanic was okay despite the ever-present danger that is Bill Paxton (Twister). He also created Aliens, sequel to Ridley Scott’s Alien – a film considered in some circles to be the only sci-fi film that actually works in scaring its audience – whereas Aliens is a balls to the wall action/infestation romp. Not like The Fourth Kind, which generally fails as a film.

Like Titanic for example – the film with most Oscars under its belt at the 70th Academy Awards – for many, it was not the best film of choice. Cameron’s Avatar – as visually amazing as it was – lacked story and substance, leaving many of its audiences shifting in their seats, wondering when the hell it was going to end. The Hurt Locker proved that massive blockbuster images, seemingly endless budgets and a 3D perspective are not needed to progress cinema or win awards. The audience didn’t need to wait for a plot twist that never arrived or hang around for an inevitable story structure to unfold.

You are left exhausted and exhilarated by the balls-to-the-wall intensity of the Hurt Locker, not tired, angry and hungry. Its six Academy Awards are a testament to classic film-making. As ground breaking as Avatar is, 3D format does not mean all films made this way are going to be better than hardcore front-line filming. Truth hurts.

New lit mag to hit streets

The University of Edinburgh will release a new publication tomorrow, which gives budding authors, poets and playwrights an platform to publish their work.

As part of the society of the same name, PublishED will be produced semesterly and distributed free around the Edinburgh University George Square campus. Containing prose, poetry, drama and interviews with authors, the magazine aims to provide a way in to the publishing industry for fledgling writers. The first issue, containing interviews with, Australian poet Les Murray and Edinburgh writers Iain Banks and Alexander McCall Smith, will be unveiled tomorrow.

The project started in May this year and Editor-in-Chief Matt Oldfield believes the magazine will be an important tool for young writers: “We started up because we got tired of waiting for other people to start a literary magazine. Since May we have been slowly building up the project, but it took awhile for things to really start moving. Its a publication with the aim of showcasing the best literary work. We also aim to provide a valuable insight and pathway into the publishing industry.”

Interviewed in the first issue: Alexander McCall Smith (Photo by Lärarnas Nyheter)

PublishED also intend to hold events throughout the year to raise both awareness and funds for the magazine, which is entirely self funded. Ahead of its official launch party, at Edinburgh’s Blackwell bookstore tonight, Oldfield said they “have so far raised over £700 through various fundraising events including book sales, bake sales, quiz nights, variety nights and ghost story nights.”

Edinburgh is well known for its rich cultural and literary heritage, and is home to some of the world’s best known writers. Some of its most celebrated poets, including Don PatersonJohn Burnside and Kathleen Jamie, will perform at this year’s Hogmanay celebrations and PublishED hopes to offer luminaries a chance to achieve the same level of success.

The website already contains a collection of local writers’ work, and Edinburgh based poet Rebecca Ross is excited by the prospect of a magazine aimed at young, rather than established, writers: “Poetry and the arts in general is a notoriously difficult industry to get into, so the launch of a magazine which provides a potential pathway is very much welcomed.”

Ross added: “The real challenge for many poets is gaining a reputation. Once you have that, publications will approach you for work. It’s extremely important for publications like this to exist to help get over that first hurdle.”

Poppy power

by Kathryn Wylie and Màiri Thomson

This weekend people all over the UK will celebrate the 92nd anniversary of the official end of World War I on Remembrance Sunday. Services took place yesterday, on the 11th day of the 11th month with two minutes of silence at 11am.

However protests have been held by groups who are against what the poppy appeal stands for. A group called Muslims Against Crusades marched near Hyde Park and burned a poppy, while a section of the crowd at last weekend’s Celtic v Aberdeen football match held banners saying “Your deeds they would shame all the devils in hell. Ireland, Iraq, Afghanistan. No blood-stained poppy on our hoops”. These protests have provoked discussion on what the annual poppy appeal is really about, made people think about the real reasons behind wearing a poppy.

Leigh James from The Scottish Poppy Appeal said: “Our annual campaign has provided support to veterans and their families since 1921 by selling very simple paper poppies which members of the public buy and wear to show respect for servicepeople.

“The campaign was created after World War I to provide support to people left destitute by the effects of the conflict. There was still a need for this support after World War II; in fact since 1945 there has only been one year (1968) in which a serviceperson has not died.”

Nearly one million people in Scotland are part of the ex-service community and while many lead relatively normal lives, some have difficulties and need help facing the challenges which are a result of their experiences. Three of the men featured in this year’s poppy campaign were serving in Afghanistan when they were injured in IED (Improvised Explosive Device) explosions.

They suffered serious injuries including losing limbs and one of the soldiers lost an eye. Leigh James said: “The immediate care these soldiers recieve in Afghanistan is excellent, and when they come back to Britain they are very well cared for; they are surviving injuries that they wouldn’t have before. The Scottish Poppy Appeal provides support to them further on in the treatment process.”

Leigh added: “They have witnessed horrific acts which are impossible to imagine, so some soliders experience mental health issues after they have returned; these often don’t manifest themselves straight away. The psychological issues servicepeople experience are just as severe as physical injuries.”

The poppies we wear are made by 40 ex-servicemen, who make up the workforce of Lady Haig’s Poppy Factory in Edinburgh. Most of them are registered disabled. The original factory was opened in March 1926 and employed men who had been disabled during World War I. It moved to Warriston Road in 1965 and now produces  five million handmade poppies each year, 8,000 wreaths to order and processes over 25,000 collection tins.

The Scottish Poppy Appeal is a different organisation to the Royal British Legion which runs the poppy campaign in England, Wales and Northern Ireland. They are however a sister organisation and have the same beliefs and values. In 2009, £2.2 million was raised, a 9% increase on the previous year’s total, and Leigh James said the Scottish Poppy Appeal is “hopeful of exceeding last years total”.

Poppyscotland runs the Scottish Poppy Appeal and funds the resultant charitable services, while the Royal British Legion Scotland are responsible for remembrance, welfare and comradeship.The Royal British Legion Scotland is one of the many organisations who receive financial support from Poppyscotland and is currently funded by its War Pensions Appeal Service.

The Royal British Legion Scotland is a separate branch of the Royal British Legion. Around 200 branches throughout Scotland are responsible for organising Remembrance services in their area. 

 Neil Griffith from the Royal British Legion Scotland said: “We are in charge of organising remembrance ceremonies all over Scotland this Sunday. Alongside the large memorial on Royal Mile we also try to organise smaller services wherever there is a War Memorial.”

Wreaths will be laid at memorials around the country

He added: “This is our busiest time of year. Our National Remembrance Service is held on the Royal Mile and is attended by the First Minister, Presiding Officer, the Secretary of State, Emergency Services, RBLS President Lt Gen Sir Alistair Irwin and the Armed Forces.”

Although the traditional method of door to door poppy selling has dwindled over the last few years due to lack of volunteers, this service does still continue in most rural areas. The well known “pop-up-poppy” campaign which usually takes over the front of the city’s Omni Centre is not happening this year, but new methods such as online donations and the release of this year’s “2 Minute Silence” single are bringing the appeal to life.

Laura Fletcher from the East of Scotland Branch of Poppy Scotland explained: “We launched our new website this year so that has helped to create a lot of traffic. It is possible for people to donate online via our website.”

Speaking about the Remembrance events in Edinburgh this weekend she said: “Poppy Saturday is a big day for us this weekend. We will have our volunteers out on the streets with tins collecting all over the city.”

While fundraising initiatives are changing to be more accessible, remembrance services themselves are also becoming more open to the public.

 Neil explained: “This year is the first time we have organised a huge marching parade through the streets of Edinburgh that will not only include the normal dignitaries but the general public aswell, led by the marching bands. We have around 52 civilian groups getting involved including include consuls, regimental associations, St Andrews Ambulance Association, Girlguiding Edinburgh, the Humanist Society of Scotland, the Leith Sea Cadets, the War Widows’ Association of Great Britain and the Army Cadet Force.”

 He added: “This year we want to make the Remembrance much more inclusive given that Remembrance is not just exclusive to the armed forces, it is a National Act of Remembrance.” 

RBLS General Secretary George Ross said: “We want this to reflect the whole of society. Remembrance is not the exclusive preserve of the Armed Forces and we hope the parade will reflect this. Everyone is welcome to participate in this national event.”

Members of the public who want to get involved should meet at the Lawnmarket at 10.45am. A large screen will be located on the Lawnmarket and tiered seating will be in place for the first time. Members of the public may even be able to lay a wreath.

The traditional service at the Heart of Midlothian Clock will also go ahead as normal this year at the Clock’s temporary site near Haymarket. Donated by Hearts Football club in 1922 in remembrance of the Hearts players, managers and supporters who fought in WWI, the majority of whom died in the Battle of the Somme. The current Hearts players are expected to attend the service on Sunday.

At Haymarket since 1922, the clock stands as an expression of their unimaginable grief. It occupies a prominent position in one of Scotland’s busiest road junctions and is a daily reminder of what Wilfred Owen called ‘the pity of war’.

These are just a few of the ways in which the Legion helps to ensure that: “If we are to maintain our peace and freedom, we must always remember.”

The Monarchy Are Fans Of Facebook

The Queen Now Has A Facebook Page

This week the Queen finally did what 500 million others have done before her, and gave the royal wave to any free time she may have previously had and joined Facebook, the most popular social network in the world.  

  “It’s basically the Royal Household’s way of broadening its appeal and communicating to members of the public,” an aide said. Unfortunately the general public won’t be able to interact with Her Royal Highness in the traditional ways, namely poking and chatting, as the Queen is represented by a page not a profile due to her status as a public figure.  

“The Queen has approved the decision, she knows all about Facebook. [She] knows all her grandchildren use Facebook and it would be remiss of the household not to be keeping up-to-date with the web. Both William and Harry have Facebook accounts under secret names but thanks to extremely strict privacy settings users are unable to “add” either of the Princes, even if they know their respective code names.

The monarchy already has an official Twitter account, YouTube channel and Flickr account, but it has taken until now for the palace to finally join the Facebook generation. A spokesman said: “The important thing about Facebook is its international reach as the Queen is head of state in 16 countries.”

After less than a week in action the page has already received over 200,000 “likes”, although it would seem very few of these are directed towards the Duchess of Cornwall, Camilla Parker-Bowles, who has been the main target of abusive comments received.

“Facebook is the final frontier of the Royal Family’s foray into digital technology.”

 Other influential facebook profiles:

 President of the United States http://www.facebook.com/barackobama

 Prime Minister of Canada http://www.facebook.com/#!/pmharper

 President of Mexico http://www.facebook.com/#!/presidentefelipecalderonhinojosa

 Prime Minister of India http://www.facebook.com/#!/pages/Dr-Manmohan-Singh/17780227654

 Chancellor of Germany http://www.facebook.com/AngelaMerkel

 Prime Minister of the UK http://www.facebook.com/DavidCameron

 Prime Minister of Australia http://www.facebook.com/DavidCameron#!/juliagillard

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