The message in Freddie Mercury’s silence

World Aid Day raises awareness around the globe. Photo: Courtesy UNAIDS

“Goodbye everybody – I’ve got to go, gotta leave you all behind and face the truth.”

These are some of the lines from one of the most famous songs in music history and looking back they seem hauntingly accurate. The song, written by Freddie Mercury, reached number one for the second time in 1991, staying there for five weeks following his death.

Mercury was a larger than life character and shocked the world by publicly announcing he was HIV positive one day before he died.

The legendary icon died at 45, from a type of bacterial pneumonia brought on by AIDS. He died in London, 20 years ago. Mercury is still well known for his flamboyant stage presence, powerful vocals and talented songwriting that has inspired millions.

With the anniversary of his death today, and the upcoming World AIDS Day next week, there are even more reports and research being published to raise awareness of the virus.

The purpose of World AIDS Day is to remind people around the world of the HIV and AIDS epidemic. It has been 30 years since AIDS was first reported, and it is estimated that today 34 million people are living with HIV around the globe.

World AIDS Day 2011 has a ‘looking forward’ theme with a focus on 2015.  The organisation, UNAIDS, which is a joint United Nations programme on HIV and AIDS, is leading the campaign with what they call ‘Getting to Zero’. The organisation claims “we have three main targets which are: zero new infections, zero discrimination and zero AIDS related deaths by 2015”.

UNAIDS is promoting a “smarter, faster, better campaign” to raise awareness of these targets. They may seem ambitious but with the global statistics of HIV and AIDS decreasing it might not be  impossible.

The total number of Scots with HIV is now 6,845 with 72% made up of males and 28% females. The main spread of HIV is mainly due to drug use and the sharing of needles and syringes.

The Scottish charity, Positive Help, has created services to help those who are affected by HIV and AIDS in the Edinburgh area. They provide a transport service, home support service and a children and young people befriending system. The befriending system is aimed at children from three to eighteen who are HIV positive, or have parents that are.

Angus Mackenzie from the charity claims, “the befriending system is very helpful to both children and teenagers, but also their parents.”

“There was one little boy we took to a festival and his reaction was just mind blowing, as if he’d never seen anything like it before.”

One of the biggest issues with HIV and AIDS is the embarrassment and taboo that still surrounds the virus toady. Mercury himself remained silent about his illness until one day before it killed him. Many suffer discrimination and feel restrictions in relationships with friends and family. This is what the befriending systems aims to prevent.

Despite the advances in life expectancy, Positive Help claims that those influenced by HIV still suffer physically, mentally and socially. Mental health issues are a problem with the virus as it can lead to ill health, depression, isolation and agoraphobia.

Scots Fiddle Festival 2011

This weekend sees the launch of ‘Fiddle 2011′
in Edinburgh city centre.

Boasting traditional music, lively ceilidhs and world class performers the Scots fiddle festival promises to be an action packed, fun filled event for all the family.

Listen here:

Tickets for ‘Fiddle 2011′ are available from the Queen’s Hall Box Office on 0131 668 2019, www.thequeenshall.net or in person at The Queen’s Hall, 85 – 89 Clerk Street, Edinburgh, EH8 9JG. Open Mon – Sat 10am – 5.30pm.

Soundtrack for the city

By Tony Garner

If someone stopped you in the street and asked you to hum a piece of classical music how likely is it that you’d turn to a film score for inspiration? From that slow-motion beach run in Chariots of Fire to Darth Vader’s Imperial Death March, music in the movies has long been a link between popular culture and the classics. Until now Scotland has had no great tradition in the genre, but Tony Garner has been finding out why that may be set to change.

Listen Here:

The Bang: Rory Speed Interview

by Sam Eastop

The Bang are a Scottish band that are certainly making quite a name for themselves. Playing gigs around the country, receiving air time for their songs on the radio, and notably winning the Dundee Battle of the Bands last year.
Since then, The Bang have been recording and spreading the word about their new and exciting sound to the population…and bucket-loads of praise and support seems to follow in their wake.
With top-notch songs and an excellent live performance quality, The Bang are definitely an up-and-coming band to keep an eye on.
To find out a bit more and discover what’s new with The Bang, I caught up with the band’s lead singer, Rory Speed:

Tell us a bit about how the band formed and where did the name come from?

Rory: Well the band formed a few years ago. The guitarist Stewart Black and our drummer Jamie Dunleavey formed as a younger school band which eventually fell through. Just in the past year, Stewart took a few months off to write some new material and they both started looking for a vocalist and a bassist. That’s when they came across me, and I quite rightly said, ‘yeah, I’ll take on the job!’
We were just going to be a two-piece to begin with- just guitar and drums to be a bit different, however it sounded a bit empty so we started looking for a bassist. It was at this point we took on Stewart’s brother Cameron as an additional member and it worked out really well.

‘The Bang’ came around when Stewart was looking on the back of an Arctic Monkeys t-shirt, and one of the songs was ‘Bang Bang.’ So he thought it sounded like a good name for a band, but it was already taken and so we decided to change it to ‘The Bang.’

What would you say your main musical influences are and do you fit into any genres?

Rory: We all come from different backgrounds and what we all listen to is different. A really wide variety of bands and genres such as Death Cab For Cutie who are an alternative rock band to Foo Fighters, Biffy Clyro, Led Zeppelin and The Who which all range from 40 years ago to modern day music.
I think this is great as it allows us to explore different genres but I’d say we do fit into the ‘alternative rock’ genre. We’re trying to introduce a few pop hooks [in our music] too.

What has been your favourite gig so far? Any particularly memorable ones?

Rory: I’ve had a few favourite gigs. The band ‘Make Sparks’ a signed Scottish band that played T in the Park, were a great band to play with. That was a Halloween gig so everyone was dressed up for a laugh and it turned out to be an absolutely amazing place to play, with about 200 people there. It was a good high for us.
The most memorable gig was definitely the Battle of the Bands final in Dundee. 340 people turned out to watch us play and we came out on top in the end and won a recording deal. This was really good and it’s helped us a lot with experience, seeing as we are younger than a lot of bands at the moment.

What’s your favourite song to perform and why?

Rory: It’s got to be ‘Qwerty.’ As I joined the band, I got a snippet of the instrumental and thought it was absolutely fantastic. So to put vocals over that track and play it live to a crowd is brilliant. It’s on our demo and it’s definitely a crowd pleaser, it’s so jumpy and upbeat that it seems to go down an absolute storm! It’s good fun.

Any exciting projects in the near future?

Rory: We’ve got a few coming up, we’re quite busy. Just over the next few months we’re playing with bands like Sucioperro and Page 44, really big up-and-coming bands at the moment with a lot written about them in Q magazine and Kerrang. We’re playing with Sucioperro on the 6th of April and Page 44 in Dundee on the 11th of May. So once we get some money in, it’s going to be all about recording after that and hopefully by June we’ll have a fully-fledged EP which will probably be on iTunes. Hopefully if all goes to plan, that’s us sorted.

Where do you hope to be in a few years time?

Rory: That’s a difficult question. Hopefully we’ll have built up a substantial fan base. We’re quite new, we’ve only been going for about eight months so it’s hard to say where we’ll be. But things have looked promising from the start so hopefully in the next few years we’ll be playing up and down the country to big crowds in England and Wales too. The best we can hope for is to possibly be signed and take on bigger challenges like T in the Park and things like that. We’ve had a few reviews, one of them stating that we were one of the best new live acts at the moment and that we’ll definitely be ‘on the scene’ sooner rather than later, which is really promising and exciting.

How can fans get access to your music?

Rory: Just now, through Facebook. If you type in ‘The Bang’ on Facebook we should be the top search. Our Myspace is www.myspace.com/thebanguk. That’s got all the details of gigs etcetera.
In the next few months, before we get out EP out, we’re getting a web page set up too. There’ll be a lot of information in the next few months coming up about gigs and different leases so keep in touch.
Peace!

Sam Eastop

Edinburgh bands play gig for Teenage Cancer Trust

By Lisa Toner

Edinburgh guitarist Rory Fitzsimmons has set up a live music event in the city to raise money for Teenage Cancer Trust as a tribute to his 18-year-old brother Jamie.

Jamie has been receiving treatment from the Teenage Cancer Trust unit at the Sick Children’s Hospital for four years and big brother Rory wants to give him “a night he will never forget.”

Rory (left) and his brother Jamie

Rory said: “Jamie has been a patient at the Sick Kids unit since he was 14. We want to raise funds to help TCT, it’s a fantastic organisation who work to make the lives of teenagers with cancer more comfortable and normal.”

The gig named “One More for the Road” will be held at Studio 24 on Thursday. Local bands Still Whisky and The Black Jack Blues Band are on the bill alongside Rory’s own band, hard rock five-piece, Black Cherokee.

Black Cherokee have also written a song dedicated to Jamie, a rock ballad aptly named ‘Brother.’ Rory said: “All of the guys in the band put what they could into the song. It just came together perfectly as we all know Jamie.”

Black Cherokee

The track is due to be released as a fundraising single and all proceeds will go to Teenage Cancer Trust.

Louise Stirton, Teenage Cancer Trust’s fundraising executive for the East of Scotland said: “We’re honoured that Rory and Jamie are hosting this gig for us, they are a really inspiring pair. It’s going to be a great night and everyone should grab a ticket and come and join us!”

The money raised at Thursday’s event will help the teenage cancer charity raise the £1.6m needed for a new unit at Edinburgh’s Western General Hospital for young people between 17 and 24 years and for a unit at the new children’s hospital due to open in 2013 for ages 13 to 16 years. Teenage Cancer Trust also have plans to recruit more specialised clinical staff to provide the best care and support for young people.

Tickets for One More for the Road on Thursday 27th January at Studio 24, Carlton Road are £5 and are available at the venue door or from Ripping Records or Has Beans Café.

Copies of Black Cherokee’s ‘Brother’ will also be on sale after the gig.

Find out more about Black Cherokee at www.myspace.com/blackcherokeeband.

Gaga for Gifford!

By Georgi Lindsey

The pop sensation, Lady Gaga has just bought herself Scotland’s most expensive stately home in near Edinburgh worth £8 million. The cost of the 17th Century Yester House will be deducted from Gaga’s earnings which totalled around £38.5 million in 2009. It is expected she is seeking more privacy for herself and partner, Luc Carl which she is sure to get from the property which includes 16 bedrooms, two drawing rooms, a music hall and billiard room.

 

Yester House

 

The 24-year-old star, born as Stefani Joanne Angelina Germanotta joins other celebrities such as Bob Dylan and comedian Dylan Moran who have moved to Scotland over the years, seeking the peaceful life, away from the flashing lights of the paparazzi. But not everyone is excited about the removal vans rolling up the driveway. Inna Sklarska, Supervisor of the Goblin Ha’ Hotel from nearby village Gifford commented, “The locals are concerned it will attract fans and are actually quite scared, this is a quiet village and everyone knows each other so they are worried there will be lots of fans here.”

Lady Gaga‘s debut album, The Fame, soared her to stardom in 2008 and she has carried a lot of controversy during that time. A lover of fashion and a fan of the late Alexander McQueen, she sparked recent outrage at the MTV VMA awards when she turned up to the event in an outfit and headpiece made entirely of raw meat. Addressing all her fans as “little monsters” her outlandish behaviour and pop duets with icons like Beyonce saw The Fame go platinum, and the follow-up remix album quite simply called, The Remix is alleged to have sold over 500,000 copies worldwide. Lady Gaga is currently finishing off her second album, Born This Way which is expected to be released in early 2011.

Lady Gaga

So what would the Goblin Ha’ Hotel serve Lady Gaga and Luc if they popped into their local for a relaxing Sunday dinner, “I think maybe Haggis as it is a tradition in Scotland and maybe a locals beer like Bel Haven Best.” Maybe the pubs in the surrounding area should look into creating a new drink in honour of her arrival. Little Monsters, consisting of Jagermeister and an energy drink, topped with a shot of Goldschlager to symbolise her fans.

 

Local venue closures are set to shape Edinburgh and the Lothian’s music scene

By Conor Quinn

The now defunct venue that once supported local bands

The Hunstman in Mayfield closed its doors after a recent revival from its last closure in 2008. Acts within the Midlothian district had received spots on the frequently hosted musical nights within the venue, which will now play host to another store.

Local band ‘Bottom of The Night’, a post hardcore outfit from the area saw the Huntsman’s closure as ‘a real loss’

Dale Wylie, the band’s frontman reminisced of their earlier gigs in the venue. “We played our first gig in there, right across from my house. Everyone seemed really welcoming, they embraced the music nights.” Not only was the venue pivotal in the growth of the surrounding area’s bands, but many locals saw this as a place to socialise and be exposed to many different genre’s of music.

Wylie continued: “Of course it’s going to be handy to have a store across the road but it just doesn’t have the same sort of benefits the Huntsman had for the community.”

This precedes the recently announced closure of another venue within the Edinburgh area, the Forest Cafe, which was renowned for featuring many Fringe acts. The cafe’s landlords were forced into administration recently, threatening Forest Cafe’s existence .

The owner’s of the part-time cafe are attempting to avert the crisis by raising the £500,00 required funds to resurrect the home of many quirky fringe acts. Andy Field and Deborah Pearson, artistic directors for the Forest Fringe : “Without the Forest Cafe having offered us the opportunity to use the Bristo Hall each summer since 2007, Forest Fringe would categorically not now exist and all of the 200-plus companies that have worked with Forest in the last four years would in some way have been affected.”

Both are directly in correlation with the recession despite ticket sales in the Scottish music scene growing 37 percent, ‘punching above its weight’ according to Will Page, economist for music industry body PRS. The UK music industry contributed £3.6 billion to the economy in 2009, growing 5 percent since the year prior.

The holes in these venue owner’s pockets have grown too quickly and vast for any reasonable measures, a blow that both the Edinburgh and the Lothian music scenes will be set to feel.

A new chapter in Susan Boyle’s life

By Susannah Radford

Susan Boyle on Britain's Got Talent

Susan Boyle, one of Scotland’s best known exports was at Waterstones‘ Edinburgh West End last night to sign copies of her new book “The Woman I Was Born to Be.”  After entering the popular television programme “Britain’s Got Talent” Susan became an overnight international singing sensation.  Her new book  charts her early life and the challenges she faced since her appearance on the show.

Steven Cooper from the Waterstones Press Office said the event “went very well.  There was great attendance and the crowd were very excited.”  He also added that there were ex contestants from the show there to support her.

While Susan didn’t make a speech or talk to the press he said it was an intimate affair and that “she talked to fans when she came in.”

The Edinburgh event follows the London Picadilly book signing in mid October where nearly 200 people attended; the book signing at Edinburgh enjoyed an even greater attendance.  Cooper said that “Susan very much enjoyed it and liked seeing the crowd – she’d like to do more.” There is now talk of adding a book signing in Glasgow though this has not been confirmed yet.

There has been a good response to the book so far.  “The book has been doing really well,” Cooper says.  “It’s a great time of year for celebrity books.  This book will be the book to watch this Christmas”.  He adds, “the  more [Susan] does the more popular the book is becoming.”

It’s been a busy life for Susan Boyle since coming second in last year’s “Britain’s Got Talent.”  From her first appearance on the show where she surprised and then amazed the audience with her rendition of ‘I Dreamed a Dream’ from the popular production Les Miserables, she has been thrust into the spotlight.  She has talked with Oprah Winfrey, recorded her first album “I Dreamed A Dream” and this year sang for the Pope at the Open Air Mass at Bellahouston Park in Glasgow.

There’s a good chance Susan Boyle may find her way into your home this Christmas.  Not only has her book been released, her new album “The Gift” has also been recently released and they look like the perfect stocking present.

KT Tunstall to headline new Hogmanay event

by Neal Wallace

Edinburgh is known across the world as the place to be when it comes to new year celebrations.

This year it’s set to become even bigger, with the addition of a “One Day”, a day of celebration to mark the 1/1/11. The event, funded by the Scottish Government’s expo fund, will showcase the best in Scottish talent, with poetry, singing and music in a free, unticketed concert in the afternoon.

Hogmanay organiser Peter Irvine said: “We are delighted that the Scottish Government’s Expo Fund has enabled us to pull together one of the strongest line-ups of Scottish writing and musical talent probably ever assembled to play over one afternoon. This roll call of talent demonstrates that the power of the word and the song is alive and well in Scotland.”

Fife-born singer KT Tunstall will headline the event with the “Resolution Concert” at the west Princes St. Gardens. Tunstall herself has handpicked the line-up, which includes Scottish artists Kassidy, King Creosote and Silver Columns. The capacity of the concert is just 3,000, a tiny proportion of the 100,000 revellers expect to descend on the city this new year.

KT Tunstall will headline the "One Day" celebrations. Photo by nni_

A full programme has been announced for “One Day”, to be hosted in the newly name Mound Precinct on Princes Street Gardens. The event will begin with a reading of new year haikus by some of Scotland’s top poets, including Alan Spence and Andrew Greig.

The main stage will then host “Scotland’s Number Ones”, with exclusive performances by Scotland’s 2010 award winning musicians, before Tunstall’s headline show.

Culture Minister Fiona Hyslop said Hogmanay is a time when Scotland “shines on the world stage”, stating that it generates £29 million for the Scottish economy. She added: “One Day adds a dynamic and innovative edge to our traditional festivities, highlighting the best of contemporary Scottish music, culture and creativity. It will help cement Scotland’s global reputation as a fantastic visitor destination and the best place in the world to see in the bells.”

Edinburgh’s Hogmanay celebrations date back to the ancient Anamistic practices of sun and fire worship in the deep mid-winter, which later evolved into the great Roman winter festival of Satumalia.

Thousands of years on, Edinburgh now plays host to one of the world’s biggest parties. The event in its current form was first organised in 1993, after the highly successful “Summit in the City” conference a year earlier.

The 1996/97 street party drew a crowd of 300,000, leading to safety concerns and since then the party has been a ticketed. The capacity is now limited to 100,000, with around 20,000 expected to attend the “One Day” celebrations.

Irvine said he was confident the event would be a success, saying that “it will be One Great Day in Edinburgh to remember.”

 

Award winning UK festival, Bloodstock Open Air announce fourth act, Morbid Angel

By Georgi Bomb

The number one independent festival in the Uk, Bloodstock Open Air has just confirmed Death Metal act, Morbid Angel to their line up in 2011. There are four acts now confirmed and Morbid Angel will join the main stage with Triptykon, Immortal and Rhapsody of Fire.

Bloodstock Open Air began as an indoor festival in 2001 when Paul Gregory and Vince Brotheridge met through mutual friends. A company called Amust4music was born and so the start of the festival. BOA is held in Derbyshire and originally was held at the Assembly Rooms in Derby city center. Their slogan, “By the fans, for the fans” was the idea behind the name of the festival which was put out as a competition for the naming of the event. The logo changes every year but will always features a ram which coincides with Derby folk law, based around a ram. BOA didn’t become an outdoor festival until 2005 when the event became a sell out and the indoor festival had its final run in 2006, when it became an outdoor festival only.

The Virtual Festival company awarded BOA with “Best Festival, 15,000″ in October this year and they are up for a further two awards of “Best Grass Roots Festival” and “Best Headline Performance” for this year’s event by long-standing act, Twisted Sister.

In little over two months since their tenth anniversary, BOA have been proud to announce the American Death Metal lords, Morbid Angel which is also confirmed as their first and only UK date of 2011. The four-piece from Tampa in Florida consist of David Vincent, Trey Azagthoth, Destructhor, Pete Sandova and Tim Yeung on session drums since this year. The  band have seen a phenomenal amount of line up changes over the years with Trey being the founding member from 1984.

Releasing seven studio albums and one live during their current 26 year career; fans are eagerly awaiting the next installment which the band started work on from June of this year.

X Factor Star Facing Deportation

By Celeste Carrigan

Gamu Nhengu the young singing contestant from Scotland who was controversially eliminated from the X Factor competition at the weekend is now having to face another blow, deportation.

 It has been confirmed by immigration officials that the young contestant’s mother, Nokuthula Ngazana, has been refused permission to stay in the country after her visa expired in August. It was believed Gamu Nhengu and her family were allowed to stay in the country, whilst her mother Ms Ngazana studied at University.

 The UK Border Agency released a statement that said: “The applications made by Ms Ngazana and her family were considered in line with the published immigration rules.

“Ms Ngazana’s application was refused as it did not meet all of the conditions for approval.  Her family, who had applied as her dependants, were therefore also refused.”

Ngazana said she was unaware of the UK Border’s Agency’s decision.

Gamu Nhengu originally from Zimbabwe, has lived in Scotland for the past eight years. Her dreams of being a singer where crushed at the weekend after being knocked out the competition, one week before the live finals began. But now after  rumours of her maybe rejoining the show as wildcard may have been squashed. It has been confirmed that they must leave the United Kingdom voluntarily or face deportation to their native Zimbabwe.

A spokesman for the Home Office said the decision to axe Gamu from the X Factor was the “business” of the television show.  The show’s bosses have had to hit back and have denied the reports that Cheryl Cole decision at the weekend was highly influenced by the fear the Gamu’s visa was due to run out.

A spokeswoman for the ITV talent show said: “Gamu’s visa being processed was not the reason that she didn’t make the final 12.”

Since the final Twelve contestants of X Factor where announced and the backlash surrounding Cheryl Cole decision to put through Cher Loyd who did not complete her audition over Gamu Nhengu almost flawless audition.  A  Facebook Group  campaign was created within hours of the decision,  to have the Zimbabwe-born singer reinstated to the show has already gathered over 200,000 supporters.

Sparks of new music ignite in Edinburgh

by Adam Smyth

The Tinderbox Project, in Edinburgh is seeking to bridge the gap between classical and contemporary music by working with established musicians and up and coming bands. Young musicians aged 13- 21 who have a grade of six or above will be working alongside more than 75 musicians, bands, composers, teachers and artists.

Young orchestral musicians as well as drummers, saxophonists and guitarists will be collaborating with bands such as the Horndog Brass band and Conquering animal sound and playing contemporary music such as Jimi Hendrix and Bjork as well as composing their own original work. Over a period of ten weekly rehearsals, the project will culminate on the 12th of December at the Roxy Art House where the participants will showcase their hard work and effort to the public in a live performance.

Educational workshops each week will focus on many aspects of contemporary music; such as improvisation, composition, use of electronics, effects and how to approach and play alternative styles. There will be a strong emphasis on composition as the students will be writing an original score for the orchestra during the ten week course.

Jack Nissan, Director of the Tinderbox Project, said: “The Tinderbox Project aims to bridge the gap between youth music and the contemporary arts scene, providing young musicians with opportunities to work together with professionals on the wide array of exciting and cutting-edge creative projects taking place in Edinburgh and Scotland”.

The project is centered on redefining the concept of an orchestra for young people, as most rarely listen to classical music and are instead inspired by a wider range of more modern styles. Recent research by Susan Forge, an independent arts consultant in Edinburgh, found that young independent musicians struggle to gain a foothold in the for a career in the music industry. Tinderbox will directly address this problem.

Josh Doyle: On what it means to be ‘independent’

Josh Doyle

Thinking back to the late 90s, early naughties, powder pink walls adorned with glossy posters of S Club 7 and Craig David would not have gone amiss in the bedroom of your average pre-teen girl, but at a second glance it might have felt somewhat odd to see pictures of Punk/Pop band the DumDums alongside them, but yet they were there. After protestation to the ‘pop machine’ (the label wanted them to be more like Busted), the DumDums disbanded in 2001 leaving behind a score of probable hits and a front man with a thirst for success. Ten years on and Josh Doyle is an Independent solo artist living in Nashville Tennessee, with a fan-funded EP and tour under his belt. However, in an ever changing industry governed by affluent corporations and many a bandwagon, what does it mean to Josh to be independent and what does the future hold if ‘Indie’’s gone pop’?

Words By Rahsian Parris / Photography Courtesy of Joshdoyle.com

It’s 10 years since the DumDums first single ‘Everything’ was released, how do you think the industry has changed? “Completely… back then it would have been impossible to be independent but now there are avenues opening up all over the place for independent artists to make a living with music which is great because you will likely hear more unfiltered art not made just for money but made to get across one persons heart to another persons heart which is what music has the potential to do and is what will last through the generations.”

What are the pros and cons of being ‘independent’?

The pros are that I have a family and I can stay at home as much as I want to be with them. I now have the choice to say “no” and you don’t have that tied to a label. The cons are that I don’t have an endless supply of money to be able to record all the songs I work on, I can’t tour as much as I would like… I rely on making new fans one person at a time.

As a solo artist, how much pressure is there to conform?

I feel like if I copy something that is the current trend it will go out of date by the time I bring the record out so there’s no point. I might be inspired by a currently popular song but…I get inspired by songs that are true more than songs that are trendy.

Many already popular artists have opted to go ‘Indie’; do you think this has undermined its significance?

No, it shows the legitimacy of it as an option. Before it would be that you would be an independent because a record label wasn’t interested in you and all the independents were niche artists or just really bad ones that wouldn’t translate to the general public and wouldn’t make a label money. When you see these big bands go independent it is a powerful statement that the labels are doing things poorly.

If you could trade in what you’re doing now for major fame with the DumDums again, would you do it?

No, and we have been given the option to reform a few times – got an offer last week in fact! What I am doing now is kind of what I have always wanted to do but on a smaller scale. It feels like “me” more than anything.

“People need to find their music outside of the label system and everything that is presented to them by corporations with a lot of money – because that is the difference a lot of the time between great artists that remain undiscovered and poor artists that get a career they don’t deserve”

So what should we expect for 2010?

I have a lot of things going on, working on a US tour, a UK tour to follow the successful one in 2009, writing with people (but keeping it real!), and I want to release a lot more music this year but I don’t like to jinx my plans by revealing them.

Josh Doyle’s EP ‘Values and Virtues‘ is available from Joshdoyle.com

Bagpipe Busking across the USA

Photo courtesy of Dave Wilson

By Lauren Witherspoon

Widespread redundancies are now commonplace, but Rob Calder saw it as an opportunity to do something different. After uninspiring interviews and no clear vision of what he wanted to do, the bagpiper from Edinburgh had an epiphany.

“I was actually just coming back from football one night thinking to myself; “what am I going to do this summer? Then I thought, I’ll just go travelling and take my bagpipes with me and busk? And it was one of these ideas that just really blossomed. I decided to do it to raise money for charity.”"

“The thing about American’s is that they all love to find out about their identity and origins,” said Rob. “If they’ve got Scottish connections, ninety percent of them just lap it up and they want to know more.”

Unfortunately, one American didn’t want hear any more, as Rob was given a New York welcome on his first day in the Big Apple. “Somebody threw a bucket of water out a first floor window” Rob explained. “Most of it missed me but it made me feel miserable, I was just about to knock it on the head but this guy asked me to keep playing and in the end I made about 50 bucks.”

Ignoring advice on wearing earplugs, Rob played every day of his seven-week one-man tour that saw him travel from the East to West coast of America. Starting off in New York and heading south through New Jersey, Pennsylvania and West Virginia, and then crossing the continent through the southern states of Mississippi, Louisiana and Texas, and finally making his way to San Francisco through Arizona and Colorado. “I’d commit to doing it every day, and there was some days when I thought I just couldn’t face it and I was getting so stressed out about it, but I always played. Even if it was nine o’clock at night outside a football ground or a baseball ground I forced myself to play.

“Once you get started it’s always fine but there was always that feeling of “Oh My God, can I really face drawing attention to myself again with this bloody loud instrument? That you sort of think people aren’t gong to enjoy. You almost try to talk yourself out of it. I am really proud that I played every single day.”

In Denver, Colorado, the police came to the response of a complaint. “I thought I was going to get arrested but they were absolutely great, they really enjoyed the bagpipes. I had my picture taken with them and they were a real laugh.”

At the Grand Canyon Rob saw an opportunity to boost the money he would be handing over to the Edinburgh charity Ecas. “I just turned up and started playing.” The scenic views were a perfect backdrop,” Rob told. “…people were really emotional, it was just as the sun was setting as well so it was beautiful. People were really generous.  I met a Scottish couple who came across and we started chatting for a while, it was nice to hear a familiar accent.”

The most financially successful destination on route, Rob intended on repeating his Scottish serenade the next day but was turned away due to laws that protect the peace of the historic site. “It was a bit of a downer, but I’m glad I did it ‘cos it was a great place to play the pipes.”

For now it is back to the daily grind for Rob but would he take on another globe-trotting challenge? “I think the conditions would have to be right for met do it again because now I have got a job. It’s one of these things that if have a got a few weeks to kill then I’ll definitely go and do it again, maybe in a different country.”

Rob completed his busking tour in organisation the summer of 2009 and raised over £5000 for Edinburgh charity Ecas, which is a voluntary organisation dedicated to giving practical and friendly help to physically disabled people.

Prego on Touring, Writing and Recording

London Quintet Prego

by Jamie Mann

A band can only hope to project their sound to curious ears by evolving musically and creating music which invigorates its listeners. Prego’s pre-album releases are already solid featuring verses filled with ambience and allurement which ignite into vehement choruses that leave you temporarily immobile.

Should this band’s sound be deemed even more enthralling, 2010 should grant the quintet the chance to be everyone’s favourite ‘new’ band rather than mine and more importantly 6 Music’s Steve Lamacq and NME journalist Mark Beaumont.

Such music has been written by Caspar Williamson (bass), Christian Wieland (guitar/keyboards), Edd Simpson (vocals, guitar, synthesizers), Paul Jennings (drums) and Will Leslie (guitar/keyboard).

Beaumont in fact set up Year Zero Recordings, (named after the London club at which he first witnessed Prego) solely to release an earlier Prego single ‘Cause and Resolve’.

The label was retired after serving its purpose: to help promote the band. As Beaumont stated, after thirteen years of observing new bands, he labelled Prego as “the first band I’ve ever seen knowing that I’d be a fool not to help put out records.” http://www.melodic.net/newsOne.asp?newsId=13829

After almost 2 months of recording their debut album, the London 5-piece embarked upon an October tour in support of Fightstar; Prego demonstrated to numerous UK cities the intensity of their many singles and the compelling debut EP Primaries which sold out its 500 copies of the original pressing; they then went on to unleash a set broadcast live on BBC Radio Suffolk.

Most recently they headlined a local Battle of The Bands in Ipswich, where 3 members originally hail from. After more than 4 years of performing, Prego will again project a soundtrack of melodic guitars, dynamic bass lines, diverging drums and colossal synths to blessed audiences. The release of Prego’s album is set to conceive a revolution for shoegaze rock and for the band themselves.

Prego’s sound has often been compared to the likes of Death Cab for Cutie, Sigur Rós and Explosions In The Sky all of which they cite as strong influences. Though many have labelled their sound solely as Indie, Prego incorporate a variety of genres into their music which is diversified by experimental rock and also features rhythms and harmonies attributed to post-rock; the trio of contending guitars create a wall of sound which points towards shoegaze rock.

Genre labelling aside Prego must be heard to be understood. The video for the latest single “Cause and Resolve” created and directed by Grant Berry is featured below.

 

 

I talked to front man Edd Simpson and bassist Caspar Williamson about life in Prego and the processes of writing, touring and recording:

Could you describe the writing process, do you group-write often? Have you scrapped many tracks over the years when perfecting your sound?

Edd: “The writing process generally involves me penning the song in its most embryonic form (i.e. me and a guitar) and then it takes on a whole new life when the other guys put their thoughts and ideas to it. There are constantly ideas that go by the wayside, sometimes you think something’s great only to then hear it again and realise it’s actually crap!”

Caspar: “The writing process varies, however most of the time Edd will come in with the bare bones of a song, the melody and a verse/chorus mainly, then we will go at it as a group, it pretty much always becomes clear what sort of direction it will take. For example ‘Cause & Resolve’ started as a 6min post-rock song!

We have but some great tunes on the backburner for the time being until we figure out what we want them to become, save them for the second album I guess.

Other songs we have scrapped, such as ‘Three’ of Primaries, we will never play that song again as it isn’t Prego as we are now.”

What is your schedule like in Prego? I feel fans are always kept updated on MySpace blogs – the content suggests constant writing/touring/writing.

Edd: “The schedule over the last year has been very much about touring and recording and less about writing. The majority of the album has been written for a little while so recording it this year was the big aim, and thankfully we’ve done that.”

Caspar: ”We are pretty disciplined with the schedule, we rehearse/write at least once/twice a week, the band definitely comes first and it can be awkward at times when you’ve got other plans, but we are all going for the same goals here so we know where the priorities have to be.

We’d love to tour more; it’s just hard with no outside funding from labels or management etc. We won’t write for a while as the album has been our main focus and is being mastered just before Xmas so it’ll be all wrapped up.

We have a facebook group with around 800/900 people as well as Twitter so we are trying to branch out on the contact with the fans! We love getting emails, but as we do all this ourselves we can take a while to write back.”

What has been your proudest moment in Prego?

Edd: “My proudest moment in Prego was probably listening back to the album for the first time, it’s been 5 years hard work and I’m thrilled with what we’ve come out with.”

Caspar: “There have been too many proud moments to mention for me personally, but a few would have to be;
-finishing the album and having a body of work I am proud to play for people
-getting support from radio and press I never dreamed off (Radio 1, Jon Kennedy Xfm, Kerrang etc)
-Playing venues that I will remember for the rest of my life, notably Glasgow ABC, Manchester Academy 1, and Shepherds Bush Empire.”

How did the recording of the album differ to that of Primaries?

Edd: “It was a hugely different experience in every way I think. We’d only been together a very short time during Primaries and I think that’s reflected in both the songs and the production, we were less evolved sonically, and it was a very different line up and a different producer. The album was a far more cohesive and focused experience and I think we knew exactly what we wanted to achieve sonically as well.”

Caspar:

“-Better musicians
-More time
-Good friends recording and producing us, Guy Massey is the man.
-Much more pimp studios!
-Dare I say, all killer no filler!?”

Has there been a progression in sound compared to what the world have already heard of Prego?

Edd: “Without a doubt there’s a progression in terms of recorded sound on this record compared to what we’ve released before, it’s far more epic and expansive, and we’ve thought about the sounds we use intensely through the process of making the record.”

Caspar: “I think the album will surprise a lot of people, the most jaw dropping moments aren’t necessarily the ‘epic Prego’ tunes one there… you’ll have to wait and see!”

Prego have played several festivals, what have been the largest crowds you have performed for?

Edd: “We performed for about 3-4,000 people at Wireless festival, that was an amazing experience.”

Caspar: “02 at Leeds was pretty scary at the time, nearly 1000 by the end of the set, but since the Fightstar tour we have nearly doubled that a couple of times, Shepherds Bush had a lot of people, 2,500 by the end of the night, I’d say two thirds of that where their by our final song! It’s just exciting now, we wouldn’t be fazed by doing arenas and stadiums; the sound is built for it, the more the merrier in our opinion.”

Caspar, Could you tell me about the t-shirts and the artwork for the Vatican Sessions E.P. which you designed last year?”

Caspar: “Yeah the imagery for that came from my interpretation of Edd’s lyrics for ‘Cause & Resolve’ actually, it kind of had a running theme into ‘Vatican Sessions’
Edd told me the song had parts about when you are having horrible nightmares about really bad things that you’ve done, or events that have happened, and the point at which the dream gets so bad you wake yourself up, only to realise after a few seconds of consciousness that the problems are actually real and not just a dream.

I was interested in the space between the two, the constant battle of being trapped in a form of limbo or twilight, and the idea of escapism or being trapped in that world…it was all very Labyrinth!”

Prego Official Website: http://www.pregomusic.com/

Prego Myspace: http://www.myspace.com/pregomusic

Oxfam To Sell Arctic Monkeys Single

By Ryan Culling

Following the huge success of the single ‘Crying Lightning’ 7″, which was sold exclusively through Oxfam shops, Arctic Monkeys have again teamed up with the charity for their new single, ‘Cornerstone’.

One of the biggest selling vinyl singles of the century so far, ‘Crying Lightning’ sold in the region of 10,000 copies in just a few weeks. These sales were against the trend of 7″ vinyl singles, of which sales have more than halved since 2007.

‘Cornerstone’, a limited edition single, will go on sale in Oxfam’s top 50 music shops on Monday 16th November. It will cost £4.99 and each single comes with a download code, which will allow fans to get an MP3 version of the song for free. Oxfam will also be giving away pairs of tickets to see the Arctic Monkeys forthcoming sold out UK tour.

greenoxfam

Courtesy of Oxfam

Domino Records and Arctic Monkeys are also encouraging people to bring in any unwanted albums or singles when they go to pick up their copy of ‘Cornerstone’ from their local Oxfam shop, in order to provide Oxfam with vital funds needed for years to come.

Founder of Domino, Laurence Bell, said “Our co-operation with Oxfam around the ‘Crying Lightning’ single was a great success for all parties and did plenty of good. We are extending the partnership for the release of ‘Cornerstone’, which will hopefully drive many more punters to both shop in and donate to Oxfam stores.”

Oxfam’s Director of Trading, David McCullough, said “Oxfam shops have always been one of the best places on the high street to find great music, as the success of ‘Crying Lightning’ proves.

“The partnership with Domino has broken new ground for us, and we’re delighted to be continuing it. Arctic Monkeys fans can pick up and exclusive from the band at the same time as helping us to fight poverty around the world.”

Government propose to change live music law

By Jamie Mann

sparrow-and-the-workshopThe government has expressed their will to improve the UK live music scene after proposing to allow small capacity venues to hold gigs without a licence last Thursday.  Though the proposition is currently undergoing a 12-week consultation, musicians and venue-owners alike have been offered hope for a prominent music scene; the scene has been somewhat restricted since the initiation of the 2003 Licencing Act.  The act currently enforces that venues of any capacity must possess a licence in order to host musical entertainment; obtaining a licence is not a simple task  as many have found to process strenuous and expensive to complete.

Nick Stewart, manager of the popular club Sneaky Pete’s agreed that the government’s proposal would be an asset to Edinburgh’s music scene with numerous clubs and pubs who could grant customers live music.  Stewart did not deem the process of achieving a licence an ordeal mentioning that it was “pretty easy” however, the capacity of his club was reduced from 120 to 84.  Though Stewart highlighted that the 2005 act affects Scotland and differs from the 2003 act, should the government’s proposition be successful , an improvement Edinburgh’s music scene could be imminent.

http://www.guardian.co.uk/music/2009/oct/21/police-law

http://lesbonner.mycouncillor.org.uk/2009/10/22/government-proposals-for-live-music-are-a-damp-squib/

X Factor Chart Fever

Leona Lewis takes to the stage in her hometown of Hackney looking more cheerful after recent unsettling incidents for the singer

Leona Lewis is likely to storm the charts after her performance on the show this week

by Ross Haig

Responsible for the last four UK Christmas number 1s and millions of single sales, The X Factor is already well known for its considerable chart clout.  Since its return to ITV in August however its influence has grown even further.

Shifting its results show from Saturday to Sunday evenings has opened up a lucrative promotional slot for established performers, and with instant exposure to up to 14 million viewers, it has become a guaranteed path to chart success.

This week Cheryl Cole, X Factor judge and one-fifth of pop outfit Girls Aloud, is likely to be knocked off the number 1 spot by JLS, whose current single shot up the iTunes charts following their performance on Sunday’s show.  Cole herself was rocketed into pole position after taking to the stage two weeks ago, and in doing so brought Alexandra Burke’s reign at the top of the charts to an end – Burke being the winner of X Factor 2008.

Big US artists such as Whitney Houston, Bon Jovi and Michael Buble have all benefited from sales surges in recent weeks after appearing on the show.

Whereas in the past the show’s impact was primarily focused in singles sales, recent winners such as Burke and Leona Lewis have seen their albums shift huge numbers of copies.  Cole’s debut LP sold over 100,000 copies last week, and even less mainstream music stores like Fopp have noticed increased interest in the acts involved.  “We don’t really deal with singles at all, but we’ve definitely noticed albums by X Factor affiliated acts selling higher quantities than we usually would expect.”

While increased sales are almost always welcome in a still very much beleaguered industry, the benefits are by no means universal.  With programmes like Top of the Pops and CD:UK off air for four years, the X Factor is the only prime time music show left on UK television, and it is less than inclusive – the majority of acts invited on have close links with Sony BMG, the parent company of Simon Cowell’s Syco label.

File Sharers Supporting Music Industry

By J.C Dick

share-main_FullAn online survey reveals controversial figures proving that on average users of file sharing networks spend more money on music than those that claim not to download illegally. The survey commissioned by researchers group Demos looked at opinions of 1008 UK internet users through an online poll. Results revealed that contrary to popular opinion; 75% of 16-24 year olds were prepared to pay for MP3s. The optimum price for the survey group as a whole was 45 pence for an individual track, with just 2% saying they would pay more than £1.

The survey also revealed new trends in online music use as it showed that despite once being a leader in the field of peer-to-peer file sharing only 4% of the poll group used Napster, and even more controversially 21% of the group had never even heard of it at all.

It could be argued that this poll signifies a revolution in attitudes and habits towards file sharing and music consumption. More and more users are turning to official services such as Spotify and internet radio stations, and also purchasing tracks with file sharing users spending an average of £77 in comparison to non users spending £44.

This is possibly in reaction to the draft Digital Economy Bill that poses a greater threat to illegal sharing of licensed material. This bill proposes to cut off internet access of those using illegal file sharing, however Lord Mandelson said that this would be a “last resort” and that he has “no expectation of mass suspensions. People will receive two notifications and if it reaches the point [of cutting them off] they will have the opportunity to appeal,”.

Research like this is vital in looking past preconceptions of file sharing and its users and is vital in restructuring the Creative Industries in Britain. As Demos researcher Peter Bradwell states, “Politicians and music companies need to recognise that the nature of music consumption has changed and consumers are demanding lower prices and easier access to music,”. The findings pave the way for a more balanced approach and will ultimately lead to lawmakers working with consumers to find an ideal solution that is mutually beneficial.

2010 Hogmanay with Off Kilter at Edinburgh

Image courtesy of Ruth Finally, Press and PR Manager

Image courtesy of Ruth Findlay, Press and PR Manager for Off Kilter

BY BURCIN MERTCAN

Despite the tram works on Edinburgh’s Princes Street the Hogmanay celebrations are going to be projected smoothly.

Edinburgh’s trams project could end up £200m over budget. The trams project started on Princes Street, on 21 February  2009 and it will last until the end of November 2009.  The Edinburgh’s trams project is making stable progress and it will be completed on time for the 2010 Hogmanay event.

Every year thousands of people celebrate and enjoy the events at the Concert in the Gardens with famous bands playing and the street parties that take over Princes Street and more to come with Off Kilter at Edinburgh.

There will be many different cultural dance show performances; Scottish, Indian, Classic, Hip-Hop, and many more  shows confirmed by Ruth Findlay, Press and PR Manager for Off Kilter. Every year Edinburgh puts on a firework display above the Edinburgh Castle, dazzling the city with wonderful  colourful sparks. A city which invites everyone to enjoy, with its amazing view and revelling in unforgettable time with family and friends.

Madness are this year’s Hogmanay celebrations headline act playing hits like ‘Baggy Trousers’ and ‘House of Fun.’ Tickets will be on sale, Saturday 10 October at 9am, cost ten pounds.

Twin Atlantic (Studio 24, 2/10/2009)

BY BRIONNY LEIPER

Image courtesy of www.citylife.co.uk

Image courtesy of www.citylife.co.uk

Studio 24 is tucked away on Calton Road and is a small sweatbox of a club popular with students.

With the venue rammed to capacity despite the odd drunk being thrown outside and those underage-with-their-pre-show-bottle-of-cider being breathalysed and not allowed in, the energy inside boils over as Scotland’s latest homegrown heroes take to the stage.

Hailing from Glasgow, Twinny as they’re affectionately known, have been working hard for the last couple of years. Having landed support slots with the likes of Funeral For A Friend and Taking Back Sunday, the band have definitely upped their game and have began crafting solid and memorable shows for their loyal fanbase.

On their return to Edinburgh from a jaunt around the other parts of this isle, the band are met by a wall of sound and an audience desperate to demonstrate their love for songs in a familiar accent. From the moment the band step onto the stage, the crowd are eating from the palm of frontman Sam McTrusty’s hand as he pushes and pulls and works the energy to fever pitch.

With the set list consisting of a mix of old favourites and a few more recent tracks off their debut ‘Vivarium’, there’s plenty here for old and news fans alike. For such a young band, it is refreshing to see Twin Atlantic taking their music seriously but genuinely enjoying the moment and engaging with the people on the floor.

Edinburgh’s songwriting is the key to success

by Steven A Kearney

2009 is being hailed as the year Edinburgh gets a live music scene to match its capital status and it is old fashioned song writing techniques which are behind the revival.

For years Scotland’s capital has played second fiddle to the Glasgow music scene, but in recent times it seems that bands from the East coast have been the ones to stike a chord with the music press and promoters.

One such promoter to be impressed by the so called ‘Edinburgh Scene’ is Tallah Brash, head of local club night and record label This Is Music, ‘In Edinburgh at the moment there are loads of opportunities and there is a real sense of community within the music scene. All the promoters seem to be working together rather than against each other’.

Edinburgh 4 piece Meursault

Edinburgh 4 piece Meursault

The live scene is centred  primarily on Scotland’s Club of the Year Caberet Voltaire.  They have featured live acts such as current BBC 6Music favourites Metronomy and emerging local band Meursault.

Other Edinburgh venues have also managed to build up a reputation for their live music.  Sneaky Pete’s is a tiny club on the Cowgate with a capacity of just 81 people, but has gained a reputation for promoting the most exciting young talent making music in Edinburgh.

‘What has struck me this year is that the revival has been led by really amazing songwriting’, said Sneaky Pete’s owner Nick Stewart, who has been promoting bands all over Scotland for more than Ten years.  ‘A lot of the bands who have emerged from Glasgow in the last Ten years have been attached to a certain style of music, whilst the current crop of musicians in Edinburgh is varied, but with quality songwriting at the core ’.

So what are the chances of an Edinburgh act emerging on the UK scene or even breaking the notoriously tough market in the US?

Nick Stewart believes he has the answer, ‘Broken Records have blown us all away in Edinburgh over the last few years and have just signed to 4AD records, with an album due out in June.  They are already making waves in London and could well be the act to lead an Edinburgh charge on the international stage’.

Listen Here:

Ticket rush for rock fans

New Album, Black Ice. Image courtesy of amazon.co.uk

New Album, Black Ice. Image courtesy of amazon.co.uk

 

Tickets for AC/DC sold out within an hour yesterday as thousands of fans phoned, clicked or queued for briefs for the Hampden Park show.

Tickets Scotland outlets in both Edinburgh and Glasgow had overnight queues for the show scheduled for June 30th.

Ricky Borthwick, Manager of Tickets Scotland, said: “We have had people asking us about it for months so we were expecting the rush, but everybody who queued got their tickets and for such a large crowd they were very well behaved.”

Fans have had a long wait to see the legendary rockers and those fortunate enough to receive tickets were ecstatic.

Jane Cameron queued from 6am in the morning in Edinburgh and said: “I am so excited! I’ve heard that they were coming for months but couldn’t believe it when they finally announced they were playing. I can’t wait!”

Another fan added: “I can’t believe they’re coming, I’ve waited years to see them and to see them at such a huge venue will be incredible.”

The show had been rumoured for months but oddly enough promoters had to wait on football results before announcing the date.

Mr Borthwick said: “They had to wait and see when Celtic went out of Europe as this could have changed the date of the Scottish Cup Final (Also played at Hampden Park).”

McFly Take Glasgow By Storm

Pop boy band Mcfly will be heading to Glasgow tonight just in time to kick off the festive proceedings. As part of their new tour, the young four peice will be playing a range of fan pleasers as well as new material  including their newly released song “Do Ya”.  With an array of number ones under their belt, fans from Glasgow should expect a confident performance from Lead singer Tom Fletcher and the rest of the group.

Glasgows Favourite - McFly

Glasgows Favourite - McFly

The hugely successful Mcfly are frequently under criticism from the music elite who have frequently branded them as just another boy band.  Inspite of this Glasgow has a strong fan base for Mcfly who would argue that they are not just a passing craze.  This is due to the fact that Mcfly who formed in 2005 are still writing and recording music to this day. 

The band have clearly taken confidence from fans such as the ones who will congregate tonight to see them play in Glasgow’s SECC, and will no longer take notice of their critics.

Mcfly will be appearing tonight at Glasgow’s SECC, Finnieston Street. Ticket prices range from £16 to £26 and are available from Ticket Scotland.  www.tickets-scotland.com

Guillemots Flock To Edinburgh

By Jenny Scott

guillemotsWith a hectic summer of festivals and gigs behind them the Guillemots have been taking a well-deserved breather lately. It wasn’t to last long though as last Friday saw the band set off on their nationwide tour, and frontman Fyfe Dangerfield couldn’t be more excited.

The “Fishbone for a Drink Tour” kicked off in Birmingham and sees the band hit sixteen different cities across Scotland and England. Fyfe explains the simple reasoning behind the tour’s slightly bizarre name: “It’s a B side of ours, so that’s how the name came about really. We just recorded the track recently and it seemed as good a name as any for the tour. There’s no great hidden message there.”

And although Dangerfield doesn’t have a specific venue he’s most excited about playing this time round: “ We’ve got all sorts really, I think they’re all going to be good. I’m just really looking forward to the whole thing,” he does mention the bands performance at the Somerset House Summer Series as one of their standout gigs to date. “We played one at Somerset House in London that was really nice… but there’s been loads.” Guillemots were one of ten acts, including the likes of Kasabian, Hot Chip and Amy Winehouse, to play the London Landmark’s Summer Series in 2007.

Like band mate MC Lord Magrão, Dangerfield admits he also shares a passion for small venues. “Smaller venues can be a lot more rewarding to play because you can connect with the audience more and obviously its more intimate.” That doesn’t mean however, that the band have been actively seeking out modest spots where they can cosy up to the audience.

“This tours more just about keeping it varied. Every night should be really different… the more varied it is for us obviously the more fresh it’s going to seem for the audience. There is that risk that you just go on autopilot a bit, and just with the places we’re playing as well.” This tour sees the Guillemots playing an abandoned custard factory and caves in Cornwall amongst a few other off-the-beaten track venues.

The content is geared towards being more spontaneous too as the band are being joined by film events company Future Shorts, who they previously collaborated with at the Latitude Festival, when they re-scored David Lynch’s classic Eraserhead. A selection of short films will be played before every show, and each one will feature an improvised soundtrack provided by the band.

With such a unique ensemble like the Guillemots it’s hard to believe they could ever sound less than spontaneous. Especially with the influences Dangerfield lists, among them: ”not even just music, it could be the mood your in, the food you’ve had that day or just someone sitting across from you in a café.”

He also mentions the song he’d most like to cover as Neil Diamond’s Red Red Wine. “The thing is I only heard his original version of the song recently, I mean his original, original one from the 60’s and it’s absolutely beautiful and amazing. I only ever knew the UB40 version, and I’ve got nothing against UB40, but it sounds like Mr Blobby or something like that. Really I prefer his original one, it’s such a special song, I think it’s amazing. The simplest things are the best, the way he delivers the lyrics, its just perfect. I dunno if I should cover it though cause it’d never be any better.”

The Guillemots are playing Inverness Eden Court tonight and the Edinburgh Picture House on Thursday the 13th of November. Some tickets are still available for both dates from Ticketmaster but be quick!

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